Summary

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — The Mask of Set (1923)

The smoke of the incense curled upward and played around the straight, slender figure, drew vaporous lines about the still, ivory face—a handsome, sinister face—sometimes partly veiling the long black eyes, and sometimes showing them in all their unnatural brightness. So the man stood, looking toward the barred window.
It was Antony Ferrara.
“Ah, dear Cairn!” The husky but musical voice smote upon Cairn's ears as the most hated sound in nature. “So you have followed me to Egypt. Not content with driving me from London, you would also render Cairo—my dear Cairo—untenable for me.”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — The Mask of Set (1923)

Huge leaves began to fall from the tree tops, and the mast-like trunks bent before the fury from the desert. The atmosphere grew hazy with impalpable dust, and the stars were wholly obscured.
Commenced a stampede from the garden. A woman's scream, shrill with fear, rose from the heart of the throng:
“A scorpion! A scorpion!”
Panic threatened, but fortunately the doors were wide, so that the whole fantastic company passed into the hotel without disaster; and even the military band retired. Cairn perceived that he alone remained in the garden.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer It Came Out of Egypt — The Mask of Set (1923)

The scorching wind grew momentarily more fierce. Cairn, entering behind a few straggling revelers, found something ominous and dreadful in its sudden fury. At the threshold he turned and looked back upon the gayly lighted garden.
The paper lamps were thrashing in the wind. Many of them were extinguished; others were in flames. A number of electric globes fell from their fastenings amid the palm tops, and burst like bombs upon the ground. The pleasure garden was a battlefield, beset with dangers, and he fully appreciated the anxiety of the company to get within doors.
Source: Wikisource

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