Sax Rohmer,
It Came Out of Egypt — The Mask of Set
(1923)
“ The smoke of the incense curled upward and played around the straight, slender figure, drew vaporous lines about the still, ivory face—a handsome, sinister face—sometimes partly veiling the long black eyes, and sometimes showing them in all their unnatural brightness. So the man stood, looking toward the barred window. It was Antony Ferrara. “Ah, dear Cairn!” The husky but musical voice smote upon Cairn's ears as the most hated sound in nature. “So you have followed me to Egypt. Not content with driving me from London, you would also render Cairo—my dear Cairo—untenable for me.” ”
