Thomas Robert Macquoid

Summary

Thomas Robert Macquoid Once a Week, Series 1, Volume II…

At this part of the Corso the English are in great force, pelting away, especially the fairer portion, with unflagging spirit. Attached to the fronts of the balconies in which they stand, are long wooden boxes filled with ammunition. “Ecco fiori, ecco fiori! Confetti, confetti!” No pause to the fun. The air is darkened with flowers, and whitened with confetti, and rings with peals of laughter. The blood of the quietest must be roused by such a merry tumult: even those who had sagely declared it must be a vastly “slow affair” and “very childish,” are warmed into active life.
Source: Wikisource

Thomas Robert Macquoid Once a Week, Series 1, Volume II…

For when the Corso had become a dense mass of carriages and people—when bouquets and sugar-plums were ascending and descending unceasingly—when every window framed a group, and the balconies groaned beneath their loads—when smiles were on all faces—when boys were courting destruction beneath horses’ hoofs and carriage-wheels in struggles after bonbons and bouquets—when the long street echoed from end to end with gay laughter—when flower, “confetti” and sugar-plum sellers were roaring themselves hoarse—it began to rain.
Source: Wikisource

Thomas Robert Macquoid Once a Week, Series 1, Volume II…

Their costume is not very orthodox; one wears a planter’s straw hat; another sports a white high-crowned beaver, fiercely cocked, with a feather in it; while their shirts are of divers colours. In the centre of their carriage stands a huge basket of confetti, while flowers are piled up in every available part. Their carriage stops opposite one in the other rank, containing a party dressed in full blouses and wearing wire masks, on which are painted faces of the most sublime inanity. “Is it peace or war?” cry the blouses to the sailors.
Source: Wikisource

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