Nataly von Eschstruth

Nataly von Eschstruth

Summary

Portrait of Nataly von Eschstruth Nataly von Eschstruth The Gray Nun

Standing aloof, in a corner of the room, I saw a nun. Her long gray garment reached to the ground, and lay about her very feet in folds like a train. Her arms hung straight down, the hands being concealed in the loose sleeves. White linen bands covered her head and chin, and rendered even her mouth invisible, while her forehead and the upper part of her face were protected by a black velvet mask. And the blackness of those eyes that penetrated me was so intense that scarcely were any whites discernible.
Source: Gutenberg

Portrait of Nataly von Eschstruth Nataly von Eschstruth The Gray Nun

Princess A. had remained with her mother for several weeks, and about that time the carnival season began. Masked balls were given in the palace, and while the horns and violins were sounding in the ballroom Princess A. lay on her knees in the throes of dreadful despair, tearing her hair in furious longing for that lost paradise. She at last succeeded in bribing a chambermaid to secretly procure her a fancy dress. If it was to cost her immortal soul, once she would dance and be young and happy!
Source: Gutenberg

Portrait of Nataly von Eschstruth Nataly von Eschstruth The Gray Nun

A frosty current ran through my veins as I compared the pictured cross with that in my companion’s hand. It was the same—not a doubt of it—and the eyes, too, were the same, as also the dress and the whole figure were unmistakably those of the gray nun I had danced with. Yet in those conspicuously large, deep black eyes lay not an expression of peacefulness and mild resignation, but a world of passionate feeling. Having assured the king of the identity of the cross, and he having informed me that it was an ancient heirloom of which no duplicate existed, he bade me accompany him further.
Source: Gutenberg

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