Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — A Frolic of the Carnival (1860)

Unquestionably, a care-stricken mortal has no business abroad, when the rest of mankind are at high carnival; they must either pelt him and absolutely martyr him with jests, and finally bury him beneath the aggregate heap; or else the potency of his darker mood, because the tissue of human life takes a sad dye more readily than a gay one, will quell their holiday humors, like the aspect of a death's-head at a banquet. Only that we know Kenyon's errand, we could hardly forgive him for venturing into the Corso with that troubled face.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — A Frolic of the Carnival (1860)

The old Englishman and his daughters, in the opposite balcony, must have seen something unutterably absurd in the sculptor's deportment, poring into this whirlpool of nonsense so earnestly, in quest of what was to make his life dark or bright. Earnest people, who try to get a reality out of human existence, are necessarily absurd in the view of the revellers and masqueraders. At all events, after a good deal of mirth at the expense of his melancholy visage, the fair occupants of the balcony favored Kenyon with a salvo of confetti, which came rattling about him like a hailstorm.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — A Frolic of the Carnival (1860)

Beneath the balcony, she recognized a familiar and fondly remembered face. The spirit of the hour and the scene exercised its influence over her quick and sensitive nature; she caught up one of the rosebuds that had been showered upon her, and aimed it at the sculptor; It hit the mark; he turned his sad eyes upward, and there was Hilda, in whose gentle presence his own secret sorrow and the obtrusive uproar of the Carnival alike died away from his perception.
Source: Wikisource

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