Summary

Portrait of Clark Ashton Smith Clark Ashton Smith Ebony and Crystal: Poems in Verse and Prose

Change there was none, other than this, for the earth was dead, and stirred not to the tottering feet of time. And in the expectant silence before the twilight of the sun, the moving shadows seemed but a mockery of change; a meaningless antic phantasmagoria of things that were; an afterfiguring of forgotten time.
And now the sun was darkened slowly in mid-heaven, as by some vast and invisible bulk. And twilight hushed the shadows in the palace of Augusthes, as the world itself swung down toward the long and single shadow of irretrievable oblivion.
Source: Gutenberg

Portrait of Clark Ashton Smith Clark Ashton Smith Ebony and Crystal: Poems in Verse and Prose

In words whereat the heavens leap to flame,
Advance on the magic palace! Thrown before,
For league on league, their blasting shadows blight
And eat like fire the amaranthine meads,
Leaving an ashen desert! In the palace,
I hear the apes of marble shriek and howl.
And all the women-shapen columns moan,
Babbling with unknown terror. In my fear,
A monstrous dread unnamed in any hell,
I rise, and flee with the fleeing wind for wings,
And in a trice the magic palace reels,
And spiring to a single tow’r of flame,
Goes out, and leaves nor shard nor ember!
Source: Gutenberg

Portrait of Clark Ashton Smith Clark Ashton Smith Ebony and Crystal: Poems in Verse and Prose

Ere long, a wind from the west, from islands where palm trees blossom above the purple foam, brings in its breath the odour of unknown flowers to mingle with the balms of the garden, and the sweet suspiration of the princess—the princess who dreams, listening to the wind, that her lover, the captain of the emperor’s most redoubtable trireme of war, sailing the sky-blue seas beyond the horizon and the sunset, has remembered her wild and royal loveliness, and has breathed in his heart a secret sigh.
Source: Gutenberg

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