Christian Reid

Christian Reid

Summary

Portrait of Christian Reid Christian Reid A Comedy of Elopement

What could life hold more exciting, save the joy, of which she as yet hardly dreamed, of being a heroine herself?
“What are you going to do?” she repeated in a voice as sweet and as full of dramatic expression as her eyes. “If you have promised to go to-night, how can you break your promise?”
“Breaking my promise does not matter at all,” said Fanny Berrien, impatiently; “but getting rid of Lennox Kyrle without trouble does matter. And how it is to be done I do not know, unless you will help me.”
“I will do anything—anything in the world!” said Aimée, fervently.
Source: Gutenberg

Portrait of Christian Reid Christian Reid A Comedy of Elopement

If Aimée did not know what to think of herself under the transformation of her changed fortunes, those around her knew very well what to think. Never again would any act of hers be reckoned of no importance by the world, which, whatever shrines it may desert, is always faithful to that of the golden calf; and when Fanny Berrien learned that it was a great heiress whom she had sent to keep her rendezvous on the sea wall, and whose name she had, in the minds of two people at least, linked with that of Lennox Kyrle, she stood aghast at the realization.
Source: Gutenberg

Portrait of Christian Reid Christian Reid A Comedy of Elopement

The sun had set, but there was a radiant sunset sky, as well as a view of great extent to be seen from the Campanile as two ladies stood there, and, leaning over the parapet of the great tower, looked down on Venice, with the Grand Canal winding through its midst like a silver serpent; at the coast of Istria and the blue summits of the Alps afar; and at the Adriatic spreading to meet the sky. One fastened her dark eyes on that distant line of blending sea and sky, but the other bestowed her regard chiefly on the Piazza at her feet, where people seemed to be crawling about like ants.
Source: Gutenberg

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