Clark Ashton Smith

Clark Ashton Smith

Summary

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Death of Ilalotha (1937)

“ And more and more she recalled, of those legendries that concerned such beings as Ilalotha; and her heart was shaken within her: for she knew that she would meet no mortal woman but a thing raised up and inspirited by the seventh hell. But amid the chill of these horrors, the thought of Thulos in the lamia's arms was like a red brand that seared her bosom.
Now the necropolis yawned before Xantlicha, and her path entered the cavernous gloom of far-vaulted funereal trees, as if passing into monstrous and shadowy mouths that were tusked with white monuments.
”
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Death of Ilalotha (1937)

“ It crept even to the crimson-smeared wattles, and the fanged and ruddled orifice that was half mouth and half beak... till Xantlicha knew why the body of Thulos was a mere shrunken hull... In what the queen saw, there remained nothing of Ilalotha except the white, voluptuous arms, and a vague outline of human breasts melting momently into breasts that were not human, like clay molded by a demon sculptor. The arms too began to change and darken; and, as they changed, the dying hand of Thulos stirred again and fumbled with a caressing movement toward the horror. ”
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Death of Ilalotha (1937)

“ A few paces more, and Xantlicha stood as if a demon's arm had arrested her: for her lantern's light had found the inverted face and upper body of Thulos, hanging from the end of a burnished, new-wrought sarcophagus that occupied a scant interval between others green with rust. One of Thulos' hands clutched rigidly the rim of the sarcophagus, while the other hand, moving feebly, seemed to caress a dim shape that leaned above him with arms showing jasmine-white in the narrow beam, and dark fingers plunging into his bosom. ”
Source: Wikisource

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