Clark Ashton Smith

Clark Ashton Smith

Summary

Portrait of Clark Ashton Smith Clark Ashton Smith The Death of Ilalotha (1937)

And more and more she recalled, of those legendries that concerned such beings as Ilalotha; and her heart was shaken within her: for she knew that she would meet no mortal woman but a thing raised up and inspirited by the seventh hell. But amid the chill of these horrors, the thought of Thulos in the lamia's arms was like a red brand that seared her bosom.
Now the necropolis yawned before Xantlicha, and her path entered the cavernous gloom of far-vaulted funereal trees, as if passing into monstrous and shadowy mouths that were tusked with white monuments.
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith The Death of Ilalotha (1937)

It crept even to the crimson-smeared wattles, and the fanged and ruddled orifice that was half mouth and half beak... till Xantlicha knew why the body of Thulos was a mere shrunken hull... In what the queen saw, there remained nothing of Ilalotha except the white, voluptuous arms, and a vague outline of human breasts melting momently into breasts that were not human, like clay molded by a demon sculptor. The arms too began to change and darken; and, as they changed, the dying hand of Thulos stirred again and fumbled with a caressing movement toward the horror.
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith The Death of Ilalotha (1937)

A few paces more, and Xantlicha stood as if a demon's arm had arrested her: for her lantern's light had found the inverted face and upper body of Thulos, hanging from the end of a burnished, new-wrought sarcophagus that occupied a scant interval between others green with rust. One of Thulos' hands clutched rigidly the rim of the sarcophagus, while the other hand, moving feebly, seemed to caress a dim shape that leaned above him with arms showing jasmine-white in the narrow beam, and dark fingers plunging into his bosom.
Source: Wikisource

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