Clark Ashton Smith

Clark Ashton Smith

The Mahout (1911)

Summary

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Mahout (1911)

“ Then, in spite of the shouts, commands, and blows of his mahout, Rajah began to swing Krishna Singh to and fro, slowly at first, but with a gradually increasing speed. It was like watching a gigantic pendulum. The fascinated crowd gazed in a sudden and tense silence for what seemed to them hours, though they were really only seconds, before the elephant, with a last vicious upward impetus of his helpless victim, reeased his hold. Krishna Singh soared skyward, a blot of gold and red against the intense, stark, blazing azure of the Indian sky. ”
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Mahout (1911)

“ Hawley and Merton watched the pageant from the large and many-colored crowd that lined the roadside without the city gates. As Rajah, the great State elephant emerged, with Krishna Singh in the gold-embroidered howdah, or canopied seat, on his back, a rising cloud of dust in the distance proclaimed the coming of the bride and her relatives.
Behind the Maharajah came a number of elephants, bearing the nobles and dignitaries of Jizapur, and the neighboring princes. Then emerged richly caparisoned horses, with prismatically-attired riders-- soldiers and attendants.
”
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  The Mahout (1911)

“ The condemned man is made to kneel with his head on a block of stone, and an elephant, at a command from the driver, places one of his feet on the prisoner's head, killing him, of course, instantly.
I, who was but a youth at the time, by some inadvertence was allowed to escape, and made my way to Agra, where I remained several years with distant relatives, learning, in that time, to speak and write English. I was intending to enter the service of the British Raj, when an idea of revenge on Krishna Singh, for my father's death, suddenly sprang into full conception.
”
Source: Wikisource

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