Clark Ashton Smith

Clark Ashton Smith

Vulthoom (1935)

Summary

Portrait of Clark Ashton Smith Clark Ashton Smith,  Vulthoom (1935)

“ Haines panted as he sought to draw breath in the fiery air. He and Chanler reeled before the looming monsters, and even as he spoke, two more of these hellish apparitions flamed into being at the gallery's verge, as if they had risen from the gulf to render impossible that fatal plunge which alone could have offered an escape from the others.
Half swooning, the Earthmen were dimly aware of a change in the menacing chimeras. The flaming bodies dulled and shrank and darkened the heat lessened, the fires died down in the mouths and eye-pits.
”
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  Vulthoom (1935)

“ The perfume was redolent of alien mystery, and it thrilled and troubled the Earthmen, who became silent as they approached the bridge, feeling the oppression of eery strangeness that gathered from all sides in the thickening gloom. More deeply than in daylight, they apprehended the muffled breathings and hidden, tortuous movements of a life for ever inscrutable to the children of other planets. The void between Earth and Mars had been traversed; but who could cross the evolutionary gulf between Earthman and Martian? ”
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith,  Vulthoom (1935)

“ The place was vacant, and furnished only with a curious tripod of black metal, fixed in the center of the floor. The tripod bore an oval block of crystal, and from this block, as if from a frozen pool, a frozen flower lifted, opening petals of smooth, heavy ivory that received a rosy tinge from the strange light. Block, flower, tripod, it seemed, were the parts of a piece of sculpture.
Crossing the threshold, the Earthmen became instantly aware that the throbbing thunders and cave-reverberant clangors had ebbed away in profound silence.
”
Source: Wikisource

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