Cæsar Litton Falkiner ‎

Summary

Cæsar Litton Falkiner ‎ Dictionary of National Biography… (1893)

Lover possessed those typical qualities usually called Irish. As a poet who could set his own verses to music, a painter who could use his art to illustrate novels of his own invention, and the possessor of an imagination sufficiently fertile to evolve from a single theme, ‘Rory O'More,’ a popular ballad, a popular novel, and a popular play, he may be accounted the most versatile man of his day.
Source: Wikisource

Cæsar Litton Falkiner ‎ Dictionary of National Biography… (1893)

In the latter year he allied himself more seriously with literature, as one of the founders of the ‘Dublin University Magazine,’ to which he contributed several of his Irish tales. In 1835 he removed to London, where he established himself as a miniature-painter, and became sufficiently the fashion to be employed to paint the ambassador of the king of Oude on his visit to London, and Lord Brougham in his chancellor's robes. Lover soon became as acceptable in London literary and art circles as he had previously been in those of Dublin.
Source: Wikisource

Cæsar Litton Falkiner ‎ Dictionary of National Biography… (1899)

Vereker was a vigorous opponent of the union, against which he voted, declaring in his place in the House of Commons in 1799 that ‘having defended his country with his blood, there was nothing in the gift of the crown that could tempt him to betray it by his vote.’ In 1807 Vereker was appointed a commissioner of the treasury for Ireland. He also held the honorary offices of constable of Limerick Castle and governor of Galway.
Source: Wikisource

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