Summary

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

This is a sad blow to the sweet-and-pureness of Nature. But it is the voice of the artist in contrast to the voice of the ideal turtle. It is the rudimentary American vision. The glimpsing of the king-birds in winged hostility and pride is no doubt the aboriginal Indian vision carrying over. The Eagle symbol in human consciousness. Dark, swinging wings of hawk-beaked destiny, that one cannot help but feel, beating here above the wild centre of America. You look round in vain for the 'One being Who made all things, and governs the world by His Providence'.
Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

Crevecoeur, of course, had never intended to return as a hunter to the bosom of Nature, only as a husbandman. The hunter is a killer. The husbandman, on the other hand, brings about the birth and increase. But even the husbandman strains in dark mastery over the unwilling earth and beast; he struggles to win forth substance, he must master the soil and the strong cattle, he must have the heavy blood-knowledge, and the slow, but deep, mastery. There is no equality or selfless humility.
Source: Wikisource

Portrait of D. H. Lawrence D. H. Lawrence Studies in Classic American Literature… (1923)

He wanted to know as the Indians and savages know, darkly, and in terms of otherness. He was simply crazy, as the Americans say, for this. Crazy enough! For at the same time he was absolutely determined that Nature is sweet and pure, that all men are brothers, and equal, and that they love one another like so many cooing doves. He was determined to have life according to his own prescription. Therefore, he wisely kept away from any too close contact with Nature, and took refuge in commerce and the material world.
Source: Wikisource

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