David Hume

“ The observation of convenience gives pleasure, since convenience is a beauty. But after what manner does it give pleasure? 'Tis certain our own interest is not in the least concern'd; and as this is a beauty of interest, not of form, so to speak, it must delight us merely by communication, and by our sympathizing with the proprietor of the lodging. We enter into his interest by the force of imagination, and feel the same satisfaction, that the objects naturally occasion in him. ”

“ Upon the whole, there remains nothing, which can give us an esteem for power and riches, and a contempt for meanness and poverty, except the principle of sympathy, by which we enter into the sentiments of the rich and poor, and partake of their pleasure and uneasiness. Riches give satisfaction to their possessor ”

“ Without that circumstance ’tis difficult to conceive on what we can found our hope of advantage from the riches of others, tho' there is nothing more certain, than that we naturally esteem and respect the rich, even before we discover in them any such favourable disposition towards us. ”

“ Prisoners of war are always treated with a respect suitable to their condition; and 'tis certain riches go very far towards fixing the condition of any person. If birth and quality enter for a share, this still affords us an argument of the same kind. For what is it we call a man of birth, but one who is descended from a long succession of rich and powerful ancestors, and who acquires our esteem by his relation to persons whom we esteem? His ancestors, therefore, tho' dead, are respected, in some measure, on account of their riches, and consequently without any kind of expectation. ”

“ The satisfaction we take in the riches of others, and the esteem we have for the possessors may be ascrib'd to three different causes. First, To the objects they possess; such as houses, gardens, equipages; which, being agreeable in themselves, necessarily produce a sentiment of pleasure in every one, that either considers or surveys them. Secondly, To the expectation of advantage from the rich and powerful by our sharing their possessions. Thirdly, To sympathy, which makes us partake of the satisfaction of every one, that approaches us. ”

“ Now I assert, that where we esteem a person upon account of his riches, we must enter into this sentiment of the proprietor, and that without such a sympathy the idea of the agreeable objects, which they give him the power to produce, wou'd have but a feeble influence upon us. An avaricious man is respected for his money, tho' he scarce is possest of a power ”

“ But tho' these reasons may induce us to comprehend this delicacy of the imagination among the causes of the respect, which we pay the rich and powerful, there are many other reasons, that may keep us from regarding it as the sole or principal. For as the ideas of pleasure can have an influence only by means of their vivacity, which makes them approach impressions, 'tis most natural those ideas shou'd have that influence, which are favour'd by most circumstances, and have a natural tendency to become strong and lively; such our ideas of the passions and sensations of any human creature. ”

“ But not to go so far as prisoners of war and the dead to find instances of this disinterested esteem for riches, let us observe with a little attention those phenomena that occur to us in common life and conversation. A man, who is himself of a competent fortune, upon coming into a company of strangers, naturally treats them with different degrees of respect and deference, as he is inform'd of their different fortunes and conditions; tho' 'tis impossible he can ever propose, and perhaps wou'd not accept of any advantage from them. ”

“ But I carry this farther, and observe, not only that we respect the rich and powerful, where they shew no inclination to serve us, but also when we lie so much out of the sphere of their activity, that they cannot even be suppos'd to be endow'd with that power. ”

“ Every human creature resembles ourselves, and by that means has an advantage above any other object, in operating on the imagination.
Besides, if we consider the nature of that faculty, and the great influence which all relations have upon it, we shall easily be persuaded, that however the ideas of the pleasant wines, music, or gardens, which the rich man enjoys, may become lively and agreeable, the fancy will not confine itself to them, but will carry its view to the related objects ”

“ In general we may remark, that the minds of men are mirrors to one another, not only because they reflect each others emotions, but also because those rays of passions, sentiments and opinions may be often reverberated, and may decay away by insensible degrees. ”

“ The best method of reconciling us to this opinion is to take a general survey of the universe, and observe the force of sympathy thro' the whole animal creation, and the easy communication of sentiments from one thinking being to another. In all creatures, that prey not upon others, and are not agitated with violent passions, there appears a remarkable desire of company, which associates them together, without any advantages they can ever propose to reap from their union. ”

“ The question is, to which of them we ought principally to ascribe it.
’Tis certain, that the first principle, viz. the reflection on agreeable objects, has a greater influence, than what, at first sight, we may be apt to imagine. We seldom reflect on what is beautiful or ugly, agreeable or disagreeable, without an emotion of pleasure or uneasiness; and tho' these sensations appear not much in our common indolent way of thinking, 'tis easy, either in reading or conversation, to discover them. Men of wit always turn the discourse on subjects that are entertaining to the imagination ”

“ Add to this, that riches and power alone, even tho' unemploy'd, naturally cause esteem and respect: And consequently these passions arise not from the idea of any beautiful or agreeable objects. 'Tis true; money implies a kind of representation of such objects, by the power it affords of obtaining them; and for that reason may still be esteem'd proper to convey those agreeable images, which may give rise to the passion. But as this prospect is very distant, 'tis more natural for us to take a contiguous object, viz. the satisfaction, which this power affords the person, who is possest of it. ”

“ And of this we shall be farther satisfy'd, if we consider, that riches represent the goods of life, only by means of the will; which employs them; and therefore imply in their very nature an idea of the person, and cannot be consider'd without a kind of sympathy with his sensations and enjoyments. ”

“ This agreeable idea or impression is connected with love, which is an agreeable passion. It proceeds from a thinking conscious being, which is the very object of love. From this relation of impressions, and identity of ideas, the passion arises, according to my hypothesis. ”

“ Here it happens most fortunately, that the greatest difficulty is not to discover a principle capable of producing such an effect, but to choose the chief and predominant among several, that present themselves. ”

“ There is no rule in painting more reasonable than that of balancing the figures, and placing them with the greatest exactness on their proper center of gravity. A figure, which is not justly ballanc'd, is disagreeable ”

“ A man, who shews us any house or building, takes particular care among other things to point out the convenience of the apartments, the advantages of their situation, and the little room lost in the stairs, anti-chambers and passages ”

“ But if he enters into the original conception, and is consider'd as enjoying these agreeable objects, ’tis sympathy which is properly the cause of the affection; and the third principle is more powerful and universal than the first. ”

“ We may learn from thence, that every thing, which is agreeable to the senses, is also in some measure agreeable to the fancy, and conveys to the thought an image of that satisfaction, which it gives by its real application to the bodily organs. ”

“ This observation extends to tables, chairs, scritoires, chimneys, coaches, sadles, ploughs, and indeed to every work of art; it being an universal rule, that their beauty is chiefly deriv'd from their utility, and from their fitness for that purpose, to which they are destin'd. ”