Summary

Portrait of David Hume David Hume Treatise of Human Nature/Book 2… (1739)

As many tragedies end happily, and no excellent one can be compos'd without some reverses of fortune, the spectator must sympathize with all these changes, and receive the fictitious joy as well as every other passion. Unless, therefore, it be asserted, that every distinct passion is communicated by a distinct original quality, and is not deriv'd from the general principle of sympathy above-explain'd, it must be allow'd, that all of them arise from that principle. To except any one in particular must appear highly unreasonable.
Source: Wikisource

Portrait of David Hume David Hume Treatise of Human Nature/Book 2… (1739)

We pity even strangers, and such as are perfectly indifferent to us: And if our ill-will to another proceed from any harm or injury, it is not, properly speaking, malice, but revenge. But if we examine these affections of pity and malice we shall find them to be secondary ones, arising from original affection; which are varied by some particular turn of thought and imagination.
’Twill be easy to explain the passion of pity, from the precedent reasoning concerning sympathy. We have a lively idea of every thing related to us. All human creatures are related to us by resemblance.
Source: Wikisource

Portrait of David Hume David Hume Treatise of Human Nature/Book 2… (1739)

We find from experience, that such a degree of passion is usually connected with such a misfortune; and tho' there be an exception in the present case, yet the imagination is affected by the general rule, and makes us conceive a lively idea of the passion, or rather feel the passion itself; in the same manner, as if the person were really actuated by it. From the same principles we blush for the conduct of those, who behave themselves foolishly before us; and that tho' they shew no sense of shame, nor seem in the least conscious of their folly.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature