Summary

Portrait of Dorothy Canfield Dorothy Canfield Khaki Confidences at Château-Thierry (1918)

Night had come, night no longer used for rest after labor in the sunlight, night which must be used to hurry troops and more troops forward over roads shelled by day.
They passed by hundreds, by thousands, an endless, endless procession—horses, mules, camions, artillery, infantry, cavalry; obscure, shadowy forms no longer in uniform, no longer from Illinois or Georgia or Vermont, no longer even American; only human young men crowned with the splendor of their strength, going out gloriously through the darkness to victory through sacrifice.
Source: Wikisource

Portrait of Dorothy Canfield Dorothy Canfield Khaki Confidences at Château-Thierry (1918)

I tore a fly-leaf out of a book lying in the heap of rubbish before the ruins of a bombarded house (it was a treatise on Bach's chorales by the French organist, Widor!) and wrote: "These are two brave old people, inhabitants of Villers-le-Petit, who wish to go back there to work under shell-fire to save what they can of their own and their neighbors' crops. Theirs is the spirit that is keeping France alive."
"It probably won't do you a bit of good," I said, "but here it is for what it is worth."
"Oh, once the American soldiers know what we want, they will let us pass, we know."
Source: Wikisource

Portrait of Dorothy Canfield Dorothy Canfield Khaki Confidences at Château-Thierry (1918)

Are you really an American woman?" he said, incredulously, his young face lighting up as though he saw a member of his own family. "I haven't talked to one in so long! Why, yes, I like France fine. It's the loveliest country to look at, isn't it? I didn't know any country could be kept up so, like a garden. How do they do it without any men left? They must be awfully fine people. I wish I could talk to them some."
"Who are these soldiers going through to-day?" I asked. "Are they going out to the front-line trenches, or coming back? I've been told both things."
Source: Wikisource

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