Dorothy Canfield

Biographical details

Portrait of Dorothy Canfield Dorothy Canfield Rough-Hewn (1922)

She was not hurt at all, only frightened half to death! She was not just a woman in love, ready to give herself up to a man. She was Marise in love with Neale.
He had come up to them now, his breath coming fast as though he had been running. For an instant he did not speak, taking her hand silently in his. All that life had made of him looked out on her from his clear eyes.
With a beating flutter, her heart sprang up from its numb torpor of fright and spread its wings.
Source: Wikisource

Portrait of Dorothy Canfield Dorothy Canfield Rough-Hewn (1922)

The audience preserved a respectful silence, bestowing a minute attention on the hang of the player's skirt, the fit of her bodice, the crimped waves of her light brown hair, her over-plump hands, and the bulging patent-leather shoes, which she pressed nervously up and down on the pedals.
Something seemed to break and clear away in Jean-Pierre's head, like fumes drifting away from a shattered retort. So this was a school-girl, this solid, unformed lump of human flesh, neither child nor woman, who had lost a child's poetry and had not yet come to woman's seductiveness.
Source: Wikisource

Portrait of Dorothy Canfield Dorothy Canfield Hillsboro People (1915)

At seventeen she was a slender sprite of a girl, to reach whose unearthly aloofness the warm human hands of her companions strained unavailing. Each winter she descended to the valley and to school and church, a silent, remote child, moving like one in a dream. And every spring she came back to the hill, to Timothy and his pipes, to the pines and the uplands, to the Round Stone and the white road in front of it.
Source: Wikisource

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