E. M. Forster

E. M. Forster

Summary

Portrait of E. M. Forster E. M. Forster A Room with a View (1908)

Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine.
Source: Gutenberg

Portrait of E. M. Forster E. M. Forster A Room with a View

It was the pension Bertolini again, the dining-table with the decanters of water and wine. It was the old, old battle of the room with the view.
George did not respond to the bow. Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. He said: “I—I’ll come up to tennis if I can manage it,” and went into the house. Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart; men were not gods after all, but as human and as clumsy as girls; even men might suffer from unexplained desires, and need help.
Source: Gutenberg

Portrait of E. M. Forster E. M. Forster A Room with a View (1908)

An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental.
Source: Gutenberg

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