Summary

Earl W. Stevick,  Adapting and Writing Language Lessons… (1971)

“ For one not used to a second language, and particularly a tone language, accurate pronunciation is difficult to achieve; but it is also crucially important. The drills that may seem monotonous at first are actually a golden opportunity to learn to control pronunciation at the outset, so that habits of sloppy pronunciation will never have a good chance to develop. At the same time, every utterance in every drill is a perfectly good and natural utterance that will be found useful in daily life.
The details of Igbo pronunciation will be outlined step by step in the early lessons.
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Source: Wikisource

Earl W. Stevick,  Adapting and Writing Language Lessons… (1971)

“ Lesson L.
In a fairly long Igbo sentence, there may be a large number of different levels of pitch; but every pitch can be described in terms of one of three alternative possibilities at any particular point in the sentence.
First, the mark ’ represents a phenomenon which we will call "step". The pitch of a vowel or m or n or ŋ so marked is never low. In any Igbo utterance, each-"step" is a little lower than the preceding one. You can only step down, and once you have done so you cannot climb up again until you come to a pause at the end of a phrase or sentence.
”
Source: Wikisource

Earl W. Stevick,  Adapting and Writing Language Lessons… (1971)

“ However, they may also appear before consonants; in such cases, they are syllables by themselves, with their own tone. Be sure you don't use a vowel either before or after such a syllabic nasal; just hum-m-m it and then go on-n-n to the next consonant. As you will soon learn, m is also frequently written as a word by itself; in such cases also, it is syllabic and has its own tone. Syllabic m also appears occasionally at the end of an Igbo word; apart from a few cases of this type, all Igbo words end with vowels. ”
Source: Wikisource

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