Edgar Allan Poe

Edgar Allan Poe

Summary

Portrait of Edgar Allan Poe Edgar Allan Poe The Murders in the Rue Morgue (1841)

If now, in addition to all these things, you have properly reflected upon the odd disorder of the chamber, we have gone so far as to combine the ideas of an agility astounding, a strength superhuman, a ferocity brutal, a butchery without motive, a grotesquerie in horror absolutely alien from humanity, and a voice foreign in tone to the ears of men of many nations, and devoid of all distinct or intelligible syllabification.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe The Murders in the Rue Morgue (1841)

But the voices of madmen, even in their wildest paroxysms, are never found to tally with that peculiar voice heard upon the stairs. Madmen are of some nation, and their language, however incoherent in its words, has always the coherence of syllabification. Besides, the hair of a madman is not such as I now hold in my hand. I disentangled this little tuft from the rigidly ​clutched fingers of Madame L'Espanaye.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe The Murders in the Rue Morgue (1841)

Keeping now steadily in mind the points to which I have drawn your attention—that peculiar voice, that unusual agility, and that startling absence of motive in a murder so singularly atrocious as this—let us glance at the butchery itself. Here is a woman strangled to death by manual strength, and thrust up a chimney, head downward. Ordinary assassins employ no such modes of murder as this.
Source: Wikisource

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