Edgar Allan Poe

Edgar Allan Poe

Tales (1846)

Summary

Portrait of Edgar Allan Poe Edgar Allan Poe,  Tales (1846)

“ It was the work of the rushing gust—but then without those doors there did stand the lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold—then, with a low, moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated. ”
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe,  Tales (1846)

“ The sounds of life encompass his path. A dozen times he hears or fancies the step of an observer. Even the very lights from the city bewilder him. Yet, in time and by long and frequent pauses of deep agony, he reaches the river's brink, and disposes of his ghastly charge—perhaps through the medium of a boat. But now what treasure does the world hold—what threat of vengeance could it hold out—which would have power to urge the return of that lonely murderer over that toilsome and perilous path, to the thicket and its blood chilling recollections? ”
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe,  Tales (1846)

“ If this was accident, it was not the accident of a gang. We can imagine it only the accident of an individual. Let us see. An individual has committed the murder. He is alone with the ghost of the departed. He is appalled by what lies motionless before him. The fury of his passion is over, and there is abundant room in his heart for the natural awe of the deed. His is none of that confidence which the presence of numbers inevitably inspires. He is alone with the dead. He trembles and is bewildered. Yet there is a necessity for disposing of the corpse. ”
Source: Wikisource

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