Summary

Portrait of Edgar Allan Poe Edgar Allan Poe The Works of the Late Edgar Allan Poe (1850)

If this was accident, it was not the accident of a gang. We can imagine it only the accident of an individual. Let us see. An individual has committed the murder. He is alone with the ghost of the departed. He is appalled by what lies motionless before him. The fury of his passion is over, and there is abundant room in his heart for the natural awe of the deed. His is none of that confidence which the presence of numbers inevitably inspires. He is alone with the dead. He trembles and is bewildered. Yet there is a necessity for disposing of the corpse.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe The Works of the Late Edgar Allan Poe (1850)

The sounds of life encompass his path. A dozen times he hears or fancies the step of an observer. Even the very lights from the city bewilder him. Yet, in time, and by long and frequent pauses of deep agony, he reaches the river's brink, and disposes of his ghastly charge—perhaps through the medium of a boat. But now what treasure does the world hold—what threat of vengeance could it hold out—which would have power to urge the return of that lonely murderer over that toilsome and perilous path, to the thicket and its blood-chilling recollections?
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe The Works of the Late Edgar Allan Poe (1859)

And neither the angels in heaven above,
⁠Nor the demons down under the sea,
Can ever dissever my soul from the soul
⁠Of the beautiful Annabel Lee:
For the moon never beams, without bringing me dreams
⁠Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
⁠Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
⁠In the sepulchre there by the sea,
⁠In her tomb by the sounding sea.
Source: Wikisource

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