Summary

Portrait of Edgar Jepson Edgar Jepson Mrs. Morrel's Last Séance

I have always seen the best phenomena when the circle has been composed of three men and two women.
Last of all came two strangers, who, I gathered, had never sat with Mrs. Morrel, or with anyone else—a Mr. and Mrs. Longridge. Longridge was a man of about forty-five, of a short, square, stout figure, clean-shaven, with a heavy, masterful jaw, thin lips, and keen black eyes, deep-set under projecting brows. He looked a man of uncommon force of character; and I hoped that Mrs. Morrel would keep off trickery, for he was the very man, if he detected it, to make a row.
Source: Wikisource

Portrait of Edgar Jepson Edgar Jepson Mrs. Morrel's Last Séance

Sometimes, of course, she was not in the right mood or condition, or whatever it is; and the phenomena were trivial; sometimes we got mere trickery, and that poorly done. Like most other mediums, public or even private, if real phenomena did not come, Mrs. Morrel would do her best to produce imitations. Sometimes she would quite deliberately use trickery rather than endure the exhaustion and nausea which always followed the genuine exercise of her powers.
But often at her séances I had seen phenomena which I did not believe to have been produced by trickery.
Source: Wikisource

Portrait of Edgar Jepson Edgar Jepson Mrs. Morrel's Last Séance

Then I saw that the curtain was half-drawn, a thing which had never happened at one of Mrs. Morrel’s séances before, and I could see dimly the figure of Mrs. Morrel on her chair in the cabinet.
The child came straight to Mrs. Longridge. Mrs. Longridge sank back in her chair, gasping painfully, and her nerveless hand would have slipped from mine had I not held it firmly.
The child stood before her, and said in a faint, shrill voice: “Oh, Mummy!”
Mrs. Longridge burst out sobbing, tried vainly to tear her hand from mine, and cried wildly: “Oh, Maisie! Maisie!”
Source: Wikisource

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