Summary

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

He opened the gate from the saddle and they passed through, crossing the barranco, and stopping for a moment to look at the pigs and talk with the herdsman. Then they rode on toward the ranch house, a half mile farther down the widening cañon. It stood upon the summit of a low hill, the declining sun transforming its plastered walls, its cupolas, the sturdy arches of its arcades, into the semblance of a Moorish castle.
At the foot of the hill they dismounted at the saddle horse stable, tied their horses, and ascended the long flight of rough concrete steps toward the house.
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

Halfway up, Allen stopped and turned again.
“You think you’re the whole cheese, you Penningtons, don’t you?” he called back. “With all your money an’ your fine friends! Fine friends, yah! I can put one of ’em where he belongs any time I want—the darn bootlegger! That’s what he is. You wait—you’ll see!”
“A-ah, beat it!” sighed Pennington wearily.
Mounting the Apache, he led Grace’s horse along the foot of the hill toward the smaller ranch house of their neighbor, some half mile away.
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

Anyway, the horses that made this trail were mostly shod. Now what in the world is anybody going up there for?” His eyes wandered to the heavy brush into which the trail disappeared upon the opposite rim of the basin. “I’ll have to follow that up to-morrow—it’s too late to do it to-day.”
“We can follow it the other way, toward the ranch,” she suggested.
They found the trail wound up the hillside and crossed the hogback in heavy brush, which, in many places, had been cut away to allow the easier passage of a horseman.
Source: Wikisource

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