Summary

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

From beneath a live oak, on the summit of a low bluff, a man discovered them. He had been sitting there talking with a girl. Suddenly he looked up.
“Why, there’s Guy,” he said. “Who’s that with—why, it’s that fellow Allen! What’s he doing up here?” He rose to his feet. “You stay here a minute, Grace. I’m going down to see what that fellow wants. I can’t understand Guy.”
He untied the Apache and mounted, while below, just beyond the pasture fence, the boy turned sullenly toward Allen.
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

He wheeled his horse to ride away.
“Hold on there, young feller!” said Allen. “Not so quick! You may think you’re through, but you’re not. We need you, and, anyway, you know too damned much for your health. You’re goin’ through with this. We got some other junk up there that there’s more profit in than what there is in booze, and it’s easier to handle. We know where to get rid of it; but the booze we can’t handle as easy as you can, and so you’re goin’ to handle it.”
Source: Wikisource

Portrait of Edgar Rice Burroughs Edgar Rice Burroughs The Girl from Hollywood (Munsey's Magazine 1922… (1922)

All you know is that I got enough on you to send you to San Quentin. You wouldn’t get nothin’ worse if you handled the rest of it, an’ you stand to clean up between twelve and fifteen thousand bucks on the deal. You needn’t worry about me double-crossin’ you. What good would it do me? I ain’t got nothin’ against you, kid.
Source: Wikisource

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