Summary

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER VIII.… (1921)

No disrespect, you understand, dear old miss."
"Quite," she said, and wondered.
"I take a subject for a verse," said Bones airily, waving his hand toward Throgmorton Street. "A 'bus, a fuss, a tram, a lamb, a hat, a cat, a sunset, a little flower growing on the river's brim, and all that sort of thing—any old subject, dear old miss, that strikes me in the eye—you understand?"
"Of course I understand," she said readily. "A poet's field is universal, and I quite understand that if he writes nice things about his friends he doesn't mean it."
"Oh, but doesn't he?" said Bones truculently.
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER VIII.… (1921)

You're going to make this girl the laughing-stock of London."
"Laughing-stock?" snorted the annoyed Bones. "What the dickens do you mean, old thing? I told you there are no comic poems. They're all like that."
"I was afraid they were," said Hamilton. "But poems needn't be comic," he added a little more tactfully, as he saw Bones's colour rising, "they needn't be comic to excite people's amusement. The most solemn and sacred things, the most beautiful thoughts, the most wonderful sentiments, rouse the laughter of the ignorant."
Source: Wikisource

Portrait of Edgar Wallace Edgar Wallace Bones in London — CHAPTER VIII.… (1921)

It was a case of blackmail, as Hamilton had pointed out, but, as the day proceeded, Bones took a more and more lenient view of his enemy's fault. By the afternoon he was cheerful, even jocose, and, even in such moments as he found himself alone with the girl, brought the conversation round to the subject of poetry as one of the fine arts, and cunningly excited her curiosity.
"There is so much bad poetry in the world," said the girl on one such occasion, "that I think there should be a lethal chamber for people who write it."
Source: Wikisource

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