Edison Marshall

Edison Marshall

Summary

Portrait of Edison Marshall Edison Marshall The Black Fox (1915)

Morgan did not stop to hunt, and at first the man did not understand why. Then he came to know that there was nothing to hunt. The land that he mushed through was a great, white, empty desert, where nothing lived except himself, his dogs, and the fleeing fox.
There were no tracks of the snow-shoe rabbit—none even of mice, no eyes gleaming from the brush clumps, no bark ripped from trees, no tundra cut off close by the teeth of caribou. The fox knew by his unerring instinct that he must go straight on to the next valley before his strength was gone.
Source: Wikisource

Portrait of Edison Marshall Edison Marshall The Black Fox (1915)

SKULKING, boldly hunting, killing, hiding, sleeping, and rising to skulk and hunt and kill again, Morgan, the black fox, was living out his wild life. That night, while Hargraves the trapper stood in his cabin doorway, in the snow-swept north, he was in the zenith of his power and beauty.
The room behind Hargraves was warm from the noisy fire; there were thick blankets and tobacco and grub and "hooch"—everything that a man needs in the north. Before him lay the wilds, in all their ruggedness and cruelty; brilliant with their snows; awful in their heavy, brooding silence
Source: Wikisource

Portrait of Edison Marshall Edison Marshall The Black Fox (1915)

Hargraves began to talk aloud to break the awful silence. He shouted at his dogs, but they hardly seemed to hear. They grew slower of foot, and bright-eyed, and looked down always at the trail. They did not bark as they sped across the snow in level places, or even snore as they slept at night. They ate what food was allotted them—with little noise, for malemutes.
The man knew that he was growing afraid. He found that the scarcity of game, which would soon put the fox into his hands, was hurting him, too.
Source: Wikisource

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