Summary

Portrait of Edith Nesbit Edith Nesbit,  The Incomplete Amorist — [BOOK 2… (1906)

“ One familiar initial, that of her first name, curled in the corner and the card smelt of jasmine—not of jasmine-scent in bottles, but of the real flower. He had never known how she managed it.
Vernon was not fond of talking over old times, but Betty would be dining at the Hotel Bête—some dull hole, no doubt; he had never heard of it. Well, he could not dine at the Bête, and after all one must dine somewhere. And the other woman had never bored him. That is a terrible weapon in the hands of a rival. And Betty had been most unjust.
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Source: Wikisource

Portrait of Edith Nesbit Edith Nesbit,  The Incomplete Amorist — [BOOK 2… (1906)

“ What's the real you like, and where do you keep it?"
"The real me," said Vernon, "is seen in my pictures, and—and appreciated by my friends; you for instance, are, I believe, genuinely attached to me."
"Oh, rot!" said Bobby.
"I don't see," said Vernon, moving his iron chair to make room for two people at the next table, "why you should expect my pictures to rhyme with my life. A man's art doesn't rhyme with his personality. Most often it contradicts flatly. Look at musicians—what a divine art, and what pigs of high priests! And look at actors—but no, one can't; the spectacle is too sickening."
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Source: Wikisource

Portrait of Edith Nesbit Edith Nesbit,  The Incomplete Amorist — [BOOK 2… (1906)

“ The real me is the man that paints pictures, damn good pictures, too, though I say it."
"And is that what all the women think?
"Ask them, my dear chap; ask them. They won't tell you the truth."
"They're not the only ones who won't. I should like to know what you really think of women, Vernon."
"I don't think about them at all," lied Vernon equably. "They aren't subjects for thought but for emotion—and even of that as little as may be. It's impossible seriously to regard a woman as a human being
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Source: Wikisource

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