Summary

Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter VIII (1913)

You know he wants to paint me." Undine fluttered and beamed as the brilliant Popple made his way across the stalls to the seat which her neighbour had momentarily left.
"First-rate chap next to you--whoever he is--to give me this chance," the artist declared. "Ha, Ralph, my boy, how did you pull it off? That's what we're all of us wondering." He leaned over to give Marvell's hand the ironic grasp of celibacy. "Well, you've left us lamenting: he has, you know. Miss Spragg. But I've got one pull over the others--I can paint you! He can't forbid that, can he? Not before marriage, anyhow!"
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Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter VIII (1913)

She had grown white to the lips, and when she tried to speak the effort produced only a faint click in her throat. She felt that the change in her appearance must be visible, and the dread of letting Marvell see it made her continue to turn her ravaged face to her other neighbour. The round black eyes set prominently in the latter's round glossy countenance had expressed at first only an impersonal and slightly ironic interest; but a look of surprise grew in them as Undine's silence continued.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter VIII (1913)

Van Degen's box through his opera-glass. Clare, as if aware of the scrutiny fixed on her from below leaned back and threw a question over her shoulder to Ralph Marvell, who had just seated himself behind her.
"Who's the funny man with the red face talking to Miss Spragg?"
Ralph bent forward. "The man next to her? Never saw him before. But I think you're mistaken: she's not speaking to him."
Source: Wikisource

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