Edith Wharton

Edith Wharton

Summary

Portrait of Edith Wharton Edith Wharton,  The Reef — Chapter XXXIX (1912)

“ Chapter XXXIX Anna, the next day, woke to a humiliated memory of the previous evening.
Darrow had been right in saying that their sacrifice would benefit no one; yet she seemed dimly to discern that there were obligations not to be tested by that standard. She owed it, at any rate, as much to his pride as to hers to abstain from the repetition of such scenes; and she had learned that it was beyond her power to do so while they were together. Yet when he had given her the chance to free herself, everything had vanished from her mind but the blind fear of losing him
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Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  The Reef — Chapter XXXIX (1912)

“ Larger, blonder, heavier- featured, she yet had glances and movements that disturbingly suggested what was freshest and most engaging in the girl; and as she stretched her bare plump arm across the bed she seemed to be pulling back the veil from dingy distances of family history.
"Do sit down, if there's a place to sit on," she cordially advised; adding, as Anna took the edge of a chair hung with miscellaneous raiment: "My singing takes so much time that I don't get a chance to walk the fat off--that's the worst of being an artist."
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Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  The Reef — Chapter XXXIX (1912)

“ Farlow, on the plea that Miss Viner's plans were uncertain, had at first made some difficulty about giving this information; and Anna guessed that the girl had left her friends' roof, and instructed them to withhold her address, with the object of avoiding Owen. "She's kept faith with herself and I haven't," Anna mused; and the thought was a fresh incentive to action.
Darrow had announced his intention of coming soon after luncheon, and the morning was already so far advanced that Anna, still mistrustful of her strength, decided to drive immediately to the address Mrs.
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Source: Wikisource

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