Edith Wharton

Edith Wharton

Summary

Portrait of Edith Wharton Edith Wharton,  The Reef — Chapter XV (1912)

“ If I can extract beauty out of THAT, so much the better: that'll prove my vocation. But I want to MAKE beauty, not be drowned in the ready-made, like a bee in a pot of honey."
Darrow knew that he was being appealed to for corroboration of these views and for encouragement in the course to which they pointed. To his own ears his answers sounded now curt, now irrelevant: at one moment he seemed chillingly indifferent, at another he heard himself launching out on a flood of hazy discursiveness. He dared not look at Owen, for fear of detecting the lad's surprise at these senseless transitions.
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Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  The Reef — Chapter XV (1912)

“ The room was a friendly heterogeneous place, the one repository, in the well-ordered and amply-servanted house, of all its unclassified odds and ends: Effie's croquet-box and fishing rods, Owen's guns and golf-sticks and racquets, his step-mother's flower-baskets and gardening implements, even Madame de Chantelle's embroidery frame, and the back numbers of the Catholic Weekly. The early twilight had begun to fall, and presently a slanting ray across the desk showed Darrow that a servant was coming across the hall with a lamp. ”
Source: Wikisource

Portrait of Edith Wharton Edith Wharton,  The Reef — Chapter XV (1912)

“ Darrow spoke as naturally as he could, but his voice sounded to his own ears like an amateur actor's in a "light" part.
Miss Viner, without answering, drew back the bolt. He watched her in silence as the door swung open; then he said: "She has her nurse with her. She won't be long."
She stood irresolute, and he added: "I was writing in there --won't you come and have a little talk? Every one's out."
The last words struck him as not well-chosen, but there was no time to choose. She paused a second longer and then crossed the threshold of the study.
”
Source: Wikisource

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