Edmund William Gosse

“ It is not so in several literatures, such as in Spanish, where assonance is systematically cultivated as a literary ornament. It is an error to confound alliteration,—which results from the close juxtaposition of words beginning with the same sound or letter,—and assonance, which is the repetition of the same vowel-sound in a syllable at points where the ear expects a rhyme. ”

“ Occasionally they endeavour, as English rhymers have done, to mix pure rhyme with assonance, but the result of this in almost all cases is that the assonances, &c., which make a less strenuous appeal to the ear, are drowned and lost in the stress of the pure rhymes. Like alliteration, assonance is a very frequent and very effective ornament of prose style, but such correspondence in vowel-sound is usually accidental and involuntary, an instinctive employment of the skill of the writer. ”

“ To introduce it with a purpose, as of course must be done in poetry, has always been held to be a most dangerous practice in prose. Assonance as a conscious art, in fact, is scarcely recognized as legitimate in English literature. ”