Edmund William Gosse, 1911 Encyclopædia Britannica, Volume 5… (1911)
“ He dwells, however, on the great dignity of what he calls the “Champt Royal,” and says that those who defy with success the ardour of its rules deserve crowns and garlands for their pains. Étienne Pasquier (1529–1615) points out the fact that the Chant Royal, by its length and the rigidity of its structure, is better fitted than the ballade for solemn and pompous themes. In Old French, the most admired chants royal are those of Clement Marot; his Chant royal chrestien, with its refrain ”
