Edward Bellamy

Edward Bellamy

Summary

Portrait of Edward Bellamy Edward Bellamy A Love Story Reversed

I often think, Maud, what a heap of trouble would be saved if women, when they cannot make themselves understood in other ways, were allowed to speak out as men do, without fear or reproach. Some day they will, when the world gets wiser,—at least I think so. Why should a woman have to hide her love, as if it were a disgraceful secret? Why is it any more a disgrace to her than to a man?
Source: Gutenberg

Portrait of Edward Bellamy Edward Bellamy A Love Story Reversed

The gas is turned almost out, but the flickering of the dying sea-coal fire in the grate fitfully illumines the forms and faces of two young women, who are seated before it, talking earnestly in low tones. It is apparent from their costumes that they have been spending the evening out.
The fair girl in the low chair, gazing pensively into the fire, is Maud Elliott, the daughter of the house. Not generally called handsome, her features are good and well balanced, and her face is altogether a sweet and wholesome one. She is rather tall, and the most critical admit that she has a fine figure.
Source: Gutenberg

Portrait of Edward Bellamy Edward Bellamy A Love Story Reversed

I don't believe the friendship of a girl was ever so much to a man as yours has been to me. I doubt if there ever was just such a friendship as ours has been, anyway. I shall always look back on it as the rarest and most charming passage in my life. But I have seen for some time that we could not go on much longer on the present footing, and tonight it has come over me that we can't go on even another day. Maud, I can't play at being friends with you one hour more.
Source: Gutenberg

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