Summary

Portrait of Edward Bellamy Edward Bellamy The Duke of Stockbridge — CHAPTER SECONDNINE YEARS AFTER (1900)

Behind the bar sits Widow Bingham, the landlady, a buxom, middle-aged woman, whose sharp black eyes have lost none of their snap, whether she is entertaining a customer with a little pleasant gossip, or exploring the murky recesses of the room about the door, where she well knows sundry old customers are lurking, made cowards of by consciousness of long unsettled scores upon her slate. And whenever she looks with special fixity into the darkness there is soon a scuttling of somebody out of doors.
Source: Wikisource

Portrait of Edward Bellamy Edward Bellamy The Duke of Stockbridge — CHAPTER SECONDNINE YEARS AFTER (1900)

The dim glimmer of some pewter mugs standing on a shelf behind the bar is the only spot of reflected light in the room, whose time-stained, unpainted woodwork, dingy plastering, and low ceiling, thrown into shadows by the rude and massive crossbeams, seems capable of swallowing up without a sign ten times the illumination actually provided.
Source: Wikisource

Portrait of Edward Bellamy Edward Bellamy The Duke of Stockbridge — CHAPTER SECONDNINE YEARS AFTER (1900)

If you would consort with silk-stockinged, wigged, and silver shoe-buckled gentlemen, you must just step over there, for at the tavern are only to be found the hewers of wood and drawers of water, mechanics, farm-laborers, and farmers. Ezra Phelps and Israel Goodrich, the former the owner of the new gristmill at "Mill Hollow," a mile west of the village, the other a substantial farmer, with their corduroy coats and knee-breeches, blue woolen hose and steel shoe buckles, are the most socially considerable and respectably attired persons present.
Source: Wikisource

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