Eleanor H. Porter,
Sister Sue — IV.—"Last Things"
(1921)
“ Loring appeared one day with a purchaser who offered a price quite too large to refuse. Like the furniture in the master's bedroom, however, the piano was to stay until the family themselves were ready to go. So Sister Sue was still enabled to seek its comfort and inspiration. But even after the big fat man with the diamond stick-pin in his tie had drawn the check that made the instrument his, sensitive ears might have detected in the notes that fell from Sister Sue's fingers a tragic undertone of longing and renunciation in even the most triumphant of the chords and melodies. ”
