Summary

Portrait of Emerson Hough Emerson Hough The Girl at the Halfway House

The Indians were now cleared away, not only about Ellisville but far to the north and west. The skin-hunters had wiped out the last of the great herds of the buffalo. The face of Nature was changing. The tremendous drama of the West was going on in all its giant action. This torrent of rude life, against which the hands of the law were still so weak and unavailing, had set for it in the ways of things a limit for its flood and a time for its receding.
The West was a noble country, and it asked of each man what nobility there was in his soul. Franklin began to grow.
Source: Gutenberg

Portrait of Emerson Hough Emerson Hough The Girl at the Halfway House

Every man in the assailing party sprang toward the building. The cries became savage, beastlike. It was no longer human beings who contended over this poor, half-witted being, but brutes, less reasonable than he.
Juan left the door. He swept Franklin and Curly and Battersleigh aside as though they were but babes. It was his purpose to rush out, to strike, to kill. It was the moment of opportunity for the leader of the assailants. The whistle of a rope cut the air, and the noose tightened about the giant's neck with instant grip.
Source: Gutenberg

Portrait of Emerson Hough Emerson Hough The Girl at the Halfway House

Franklin passed over the abattis, over the remaining fences, and into the intrenchments where the final stand had been. The dead lay thick, among them many who were young. Out across the broken and trodden fields there lay some scattered, sodden lumps upon the ground. Franklin stood looking out over the fields, in the direction of the town. And there he saw a sight fitly to be called the ultimate horror of all these things horrible that he had seen.
Over the fields of Louisburg there came a fearful sound, growing, rising, falling, stopping the singing and the twitter of the birds.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature