Summary

Portrait of Emma Orczy Emma Orczy,  The Old Man In the Corner — Chapter XVIII (1909)

“ Ireland hastened downstairs. On reaching the hall she found the door of her husband's room open, and it was from there that the girl's shrieks proceeded.
"'The master, mum—the poor master—he is dead, mum—I am sure he is dead!'—accompanied by vigorous thumps against the glass partition, and not very measured language on the part of the watchman from the outer office, such as—'Why don't you open the door instead of making that row?'
"Mrs. Ireland is not the sort of woman who, under any circumstances, would lose her presence of mind.
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Source: Wikisource

Portrait of Emma Orczy Emma Orczy,  The Old Man In the Corner — Chapter XVIII (1909)

“ French detectives, who are acknowledged masters in their craft, never proceed till after they have discovered the feminine element in a crime; whether in theft, murder, or fraud, according to their theory, there is always a woman.
"Perhaps the reason why the Phillimore Terrace robbery was never brought home to its perpetrators is because there was no woman in any way connected with it, and I am quite sure, on the other hand, that the reason why the thief at the English Provident Bank is still unpunished is because a clever woman has escaped the eyes of our police force."
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Source: Wikisource

Portrait of Emma Orczy Emma Orczy,  The Old Man In the Corner — Chapter XVIII (1909)

“ There remained the other access to the room, that is, the one through the hall of the house. The hall door, it appears, was always barred and bolted by Mr. Ireland himself when he came home, whether from the theatre or his club. It was a duty he never allowed any one to perform but himself. During his annual holiday, with his wife and family, his son, who usually had the sub-manager to stay with him on those occasions, did the bolting and barring—but with the distinct understanding that this should be done by ten o'clock at night. ”
Source: Wikisource

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