Summary

Portrait of Emma Orczy Emma Orczy,  The Scarlet Pimpernel — Chapter XIV: One O'Clock Precisely… (1905)

“ It was a ghostlike replica, in fact, of that fashionable gathering upstairs; a ghost that haunts every house where balls and good suppers are given; a picture drawn with white chalk on grey cardboard, dull and colourless, now that the bright silk dresses and gorgeously embroidered coats were no longer there to fill in the foreground, and now that the candles flickered sleepily in their sockets.
Chauvelin smiled benignly, and rubbing his long, thin hands together, he looked round the deserted supper-room, whence even the last flunkey had retired in order to join his friends in the hall below.
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Source: Wikisource

Portrait of Emma Orczy Emma Orczy,  The Scarlet Pimpernel — Chapter XIV: One O'Clock Precisely… (1905)

“ Marguerite did not feel equal to another dance; there is a limit to the most enduring of self-control. Escorted by a Cabinet Minister, she had once more found her way to the tiny boudoir, still the most deserted among all the rooms. She knew that Chauvelin must be lying in wait for her somewhere, ready to seize the first possible opportunity for a tête-à-tête. His eyes had met hers for a moment after the 'fore-supper minuet, and she knew that the keen diplomat, with those searching pale eyes of his, had divined that her work was accomplished. ”
Source: Wikisource

Portrait of Emma Orczy Emma Orczy,  The Scarlet Pimpernel — Chapter XIV: One O'Clock Precisely… (1905)

“ An icy mantle seemed to have suddenly settled round Marguerite's shoulders; though her cheeks glowed with fire, she felt chilled and numbed. Oh, Armand! will you ever know the terrible sacrifice of pride, of dignity, of womanliness a devoted sister is making for your sake?
"Nothing of importance," she said, staring mechanically before her, "but it might prove a clue. I contrived—no matter how—to detect Sir Andrew Ffoulkes in the very act of burning a paper at one of these candles, in this very room.
”
Source: Wikisource

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