Carolyn Wells,
The Emily Emmins Papers
“ All too soon we reached Calais, and here, again, a living, breathing picture confronted me. Unlike Dover, the harbor at Calais is like an exquisite aquarelle. The high lights and half-tones are marvellous, and the composition is a masterpiece. But (and here I made my two rules that should be invariably observed by the traveller from London to Paris) there is not a more fearful wild-fowl living than your French customs inspector. ”
