Summary

Ethel Cook Eliot The Little House in the Fairy Wood

Eric asked.
Helma looked a little grave. "Why did you stay, dear, for nine long years?"
He thought a minute. "I hadn't seen the magic beckoning," he answered then.
"Neither have they," she said, "and perhaps never will, for their eyes are getting dimmer all the time."
"But how can they help seeing it?" cried the littlest Forest Child. "See, all around the garden!"
It was true. All around the garden the tall trees stood and beckoned with their high fingers, beckoned away and away with promise of magic beyond magic. But the people in the garden never lifted their eyes to see it.
Source: Gutenberg

Ethel Cook Eliot The Little House in the Fairy Wood

No, Helma is my only mother, and Ivra is my comrade. And still I want to leave them,—and go on and away over there. It is very funny."
"No," said Wild Star. "It isn't funny. You are a growing Earth Child, not a fairy. It is your own kind calling you. It is the music of your human life."
"I don't know what you mean," said Eric.
"It is like this: you know when you begin to sing a song, you go on and on to the end without thinking about it at all. It is the theme that carries you. Well, a human life is made like a song,—it carries itself along. You do not stop to think why.
Source: Gutenberg

Ethel Cook Eliot The Little House in the Fairy Wood

Now these World Stories of Helma's were wonderful stories, but all true. They began way back when the Earth was young. There were stories about the Earth itself, how it hung in space and turned, making day and night. When the strange, great animals that by-and-by appeared on the Earth and have since gone from it first came into the stories, and then, later, the floods and glaciers, and at last the first man,—any child might have listened with delight and wonder. Ivra had listened so ever since she was a tiny girl, old enough to understand at all.
Source: Gutenberg

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