Ethel Watts Mumford

Ethel Watts Mumford

Summary

Portrait of Ethel Watts Mumford Ethel Watts Mumford “Funeral Frank” (1921)

An hour later he was contentedly seated in the big armchair by the grate fire of his snug little flat, with Vicky tucked into the folds of his dressing gown. On the table at his elbow lay heaps of obituary notices and death columns, while between the book ends of two butting elephants stood a row of society and business directories. Trade newspapers were piled on a chair, and the club list of every association in the city, for either men or women, lay on the second shelf of the whatnot. Mr. Davis worked at his despicable trade with scientific thoroughness.
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford “Funeral Frank” (1921)

On the kitchenette floor were bits of bones and the flowerlike print of his dainty feet and the feeding dish, Vicky's last Christmas present, with “For a Good Dog,” lettered in gold on its incurved border. Funeral Frank was suffering bereavement, bereavement of which he had made a mock, and from which he had filched his undeserved ease. Heart-broken, rebellious at fate, determined somehow to cheat the arithmetic of the inevitable, he suffered the human torture of them that mourn.
Source: Wikisource

Portrait of Ethel Watts Mumford Ethel Watts Mumford “Funeral Frank” (1921)

Anxiety devoured the soul of the meanest crook. His love for the cur was the one real affection he owned.
Vicky was his friend and companion, his pal, his coworker. He could not bear to think of the animal's suffering. He was filled with fright as the dog sickened more and more. The dog must go to a veterinary for examination, but he feared to take him; even if he carried the dog basket he must take him out when the doctor prescribed, and Vicky's description had been even more detailed and exact than his own. He tried to reach Frothy, but that worthy was working and not to be located
Source: Wikisource

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