“ The art of judging of character from the external appearance, especially from the countenance, is founded upon the belief, which has long and generally prevailed, that there is an intimate connection between the features and expression of the face and the qualities and habits of the mind. ”
Appearance
Definition and stakes
The concept of appearance refers to how something manifests to perception, encompassing both physical characteristics and subjective impressions. Authors have long examined its subtleties: William Anderson associated facial expressions with character, while F. H. Bradley investigated how outward manifestations blend into deeper realities.
William James highlighted the shifting boundary between seeming and being, and Rabindranath Tagore linked external form to internal devotion. These viewpoints illustrate appearance as a framework through which personal experience intersects with objective reality, connecting the concrete and the abstract.
Quotes about “appearance”
F. H. Bradley,
Appearance and Reality — Chapter XXIII
(1893)
“ But it is quite another thing to maintain that every appearance, when there, continues to keep its distinctive character. To be resolved rather and to be merged, each as a factor in what is higher, is the nature of such things as the body and the soul. ”
William James, Psychology: Briefer Course
“ Experience and custom soon teach us, however, that the seeming appearance passes into the real one by continuous gradations. They teach us, moreover, that seeming and being may be strangely interchanged. ”
Rabindranath Tagore,
The Home and the World
(1916)
“ But when the physical appearance evades the scrutiny of our senses and enters the sanctuary of our hearts, then it can forget itself. I know, from my childhood's experience, how devotion is beauty itself, in its inner aspect. ”
F. H. Bradley,
Appearance and Reality — Chapter XXIV
(1893)
“ And an imperfect appearance of this character we were compelled, in our last chapter, to recognize in the individual habits of the soul. Further in the beauty which presents us with a realized type, we find another form of the union of fact with principle. ”
Samuel Butler, Erewhon; Or, Over the Range
“ Let us be grateful to the mirror for revealing to us our appearance only. ”
David Hume,
A Treatise of Human Nature
“ But the impressions of reflection resolve themselves into our passions and emotions’. [2] From the polemic against abstract ideas we learn further that ‘the appearance of an object to the senses’ is the same thing as an ‘impression becoming present to the mind’. ”
“ The subtlest differences of appearance that have a utility value still continue to be appreciated, while large and important visual characters, provided they are useless for life, will pass unnoticed. ”
Paul Ambroise Bigandet, The Life or Legend of Gaudama, the Buddha of the Burmese…
“ The forms in which appearance exhibits itself are swiftness, softness, and acting. 7. The forms of the signs of being are: the appearance of being, on coming into being, the remaining into being, the fulness of the state of being, and the destruction of being. ”
“ Appearance is, in fact, a matter of effect merely, and it is with the effects of nature that you have to deal, not with the real condition of the object. ”
John Woolman,
The Journal, with Other Writings of John Woolman
“ "Some glances of real beauty may be seen in their faces who dwell in true meekness. There is a harmony in the sound of that voice to which Divine love gives utterance, and some appearance of right order in their temper and conduct whose passions are regulated. ”
Samuel Osgood, Gifts of Genius: A Miscellany of Prose and Poetry by American Authors
“ It is with singular interest that we look upon the authentic resemblance of persons with whose minds and career literature has made us familiar, and compare what we have imagined of their appearance with the reality. ”
Friedrich Nietzsche,
The Birth of Tragedy
“ For all life rests on appearance, art, illusion, optics, the need for perspective and for error. ”
Charles Dickens,
Martin Chuzzlewit
(1844)
“ A manifestation so lively, brought to their immediate recollection the great virtuous precept, ‘Keep up appearances whatever you do,’ in which they had been educated. ”
Mathilde Blind,
George Eliot
(1883)
“ In this striking summing-up of a character, the penetrating observer of human nature—taking in at a glance and depicting by a few masterly touches all that helps to make up a picture of the real living being—begins to reveal herself. ”
Edwin Arlington Robinson,
Captain Craig; A Book of Poems
(1915)
“ The searching face, the eloquent, strange face— That with a sightless beauty looked at him And with a speechless promise uttered words That were not the world's words, or any kind That he had known before. What was it, then? What was it held him—fascinated him? Why should he not be human? ”
Adeline Sergeant,
Name and Fame: A Novel
“ Without pretension to actual beauty or any kind of perfection, the face was one likely to attract and then to charm; gentleness, thoughtfulness, intellectual power, might be read in those fair features, as well as an almost infantine candor and innocence, and the subtle and all too-transient bloom of extreme youth. ”
Gouverneur Morris, Tom Beauling (1901)
“ As a young and vivid force that might one day develop into symmetry and management of self, he was a charm to the speculating eye. But of finished beauty he had only two features—the eyes, big, bold, and gray, and the big, sweet mouth. ”
Word Portraits of Famous Writers
“ Nay, the inward beauty would sometimes quite transform the external harshness; there would be moments when the thin hands that entwined themselves in their eagerness, the earnest figure that bowed forward to speak and hear, the deep gaze moving from one face to another with a grave appeal,—all these seemed the transparent symbols that showed the presence of a wise benignant soul. ”
Immanuel Kant,
Prolegomena to Any Future Metaphysics
(1783)
“ All our intuition however takes place by means of the senses only; the understanding intuits nothing, but only reflects. And as we have just shown that the senses never and in no manner enable us to know things in themselves, but only their appearances, which are mere representations of the sensibility, we conclude that "all bodies, together with the space in which they are, must be considered nothing but mere representations in us, and exist nowhere but in our thoughts." ”
“ It is an intent gaze that seldom wanders, and in truth why should it? Where is any other thing as good to look at as this small, fair creature, with the eyes, and the hair, and the lips that belong to her? ”
Charles H. Caffin, The Story of Spanish Painting
“ And you may say that he finds life and the beauty of life not only in the face and figure, action and gesture, of his subjects, but in the clothes they wear and the accessories that surround them. All are contributory to the sense of life with which the subject inspires him, so that he extracts from fabrics and objects of still-life a raciness of character or subtlety of expression that lifts them above the ordinary and gives them the distinction of beauty. ”
Hamil Grant, Spies and Secret Service
“ Great facial beauty, a splendid presence, romantic courage, a reputation for brilliancy in an age which was far from being a superficial one—all these were qualities which we expect in the pages of fiction, but which are only occasionally to be met with in actual experience. ”
James De Mille, The Living Link: A Novel
“ No; in that noble face, pale from illness or from sadness, with the traces of sorrow upon it, and the marks of long vigils by the bedside of her father—in that refined face, whose expression spoke only of elevation of soul, and exhibited the perfect type of manly beauty, there was certainly nothing that could excite repugnance, but every thing that might inspire confidence. ”
Fannie Belle Irving, Six Girls: A Home Story
“ The most beautiful face may sometimes, by nature's indelible portrayer, reveal itself soulless in heart and mind; and the plainest face possess an irresistible charm, if it is allowed to interpret the emotions of a truly noble heart. ”
Nathaniel Parker Willis,
Pencillings by the Way
“ The expression of the face is all human, but wrought to the very limit of celestial enthusiasm. The wonderful richness of the coloring, the exquisite ripe fulness of the limbs, the passionate devotion of the kindling features, combine to make it the faultless ideal of a perfect human being in youth. ”
Laura Marholm,
We Women and Our Authors
(1899)
“ Then the different degrees of beauty in the death-scenes! Life with or without vine-leaves in the hair!—Where, in the name of wonder, do people speak like that, and where in the upper or lower world do they feel like it? ”
Joseph Conrad,
A Personal Record — Preface
(1912)
“ The manner in laughter, in tears, in irony, in indignations and enthusiasms, in judgments--and even in love. The manner in which, as in the features and character of a human face, the inner truth is foreshadowed for those who know how to look at their kind. ”
Various, The Atlantic Monthly, Volume 13…
“ I had seen, in the course of my life, a great many handsome faces, which, in my quiet way, I had studied, when nobody was minding, comparing beauties, or imagining alterations for the better, just as if I had been studying a picture or a statue, and with no more fear of being myself affected. ”
“ The tender motives that often moulded his lips, the purity and grace that found expression in his eyes, and that fluctuation of the lines of the face in thought which is almost light and shade, wrought an immortal beauty out of Nature’s poor endowment. ”
John Moore, A View of Society and Manners in Italy…
“ He continued to observe, that what is usually called character in a face, is probably excess in some of its parts, and particularly of those which are under the influence of the mind, the leading passion of which marks some feature for its own. A perfectly symmetrical face bears no mark of the influence of either the passions or the understanding, and reminds you of Prometheus’s clay without his fire. ”
James Grant, Under the Red Dragon: A Novel
“ Have you ever seen the painted face of one, it may be, who was an utter stranger to you, yet that seemed to fill your mind with a sort of recognition that sent you out over the sea of speculation, wondering where you had seen it before, or when you would see it again? ”
Elinor Glyn,
The Point of View
“ Your little face is like a flower in its delicate tints, and your eyes are true and tender and asking so many questions of life,—and sometimes they are veiled and misty, and then they look wise and courageous. ”
William Beloe, The Sexagenarian; or, the recollections of a literary life… (1817)
“ He feels as if he was removed to another planet. The language, the dress, the manners, every thing he beholds, dazzles and confounds him: till at length reflection and judgment resume their influence, and experience makes the contrast familiar. ”
Grant Allen,
Hilda Wade — Chapter I: The Episode of the Patient Who Disappointed Her Doctor
(1900)
“ They can judge with astounding correctness from a shadow on one's face, a catch in one's breath, a movement of one's hands, how their words or deeds are affecting us. We cannot conceal our feelings from them. ”
Atlantic Classics, Second Series
“ For it is precisely the exact and delicate response to such subtle visitings, whether it be a visiting of fear and dread or of beauty and delight, which, expressing itself in the individual's manner of living and taste for life, we call personality; which, manifesting itself in his art, we call style; which, exhibiting itself in his purpose and action, we call character. ”
Geneva Armstrong, Woman in Art (1900)
“ The superb figure, in attitude and resolute expression, impresses one with a strong sense of the divinity of a nature that even in all the stolidity and strength of the figure 'might soar but yet remain' to reflect upon a darkened world the light from her mirror. ”
Edward Jesse, Once a Week (1860)
“ The face is slightly bearded, the features massive but finely formed, and with a most noble expression. Indeed, where shall we find in classical art any head in which such majesty is combined with the traits of individual likeness? ”
Fridtjof Nansen,
Eskimo Life
(1893)
“ To our way of thinking, such a face could scarcely be described as beautiful; but how much prejudice there is in our ideas of beauty! I soon came to find these brown faces, gleaming with health and fat, really pleasing. ”
Helen Keller,
The Century Magazine, Volume 69…
(1905)
“ If you do recall the features, and say that an eye is blue, a chin sharp, a nose short, or a cheek sunken, I fancy that you do not succeed well in giving the impression of the person,—not so well as when you interpret at once to the heart the essential moral qualities of the face—its humor, gravity, sadness, spirituality. ”
Wilkie Collins,
The Woman in White
(1896)
“ Mingling with the vivid impression produced by the charm of her fair face and head, her sweet expression, and her winning simplicity of manner, was another impression, which, in a shadowy way, suggested to me the idea of something wanting. ”
Walter Armstrong,
Dictionary of National Biography…
(1912)
“ But a tragic element was brought into his life by the conflicting strains in his own character. A love of pose, which found vent in eccentricities of dress, in extravagant paradox and biting epigram, gave him social notoriety. ”
Olive Schreiner,
The Story of an African Farm
“ A worn look had grown over the little face, and it made its charm for him stronger. For pain and time, which trace deep lines and write a story on a human face, have a strangely different effect on one face and another. ”
George W. Bell, Mr. Oseba's Last Discovery
“ They have finely-chiselled features, deep, rather large and expressive eyes, slightly bronzed complexions, and in every curious look, gaze, or expression, there is an easy, modest dignity, such as I have never before seen, even among the rarest few. In every face there is a deep and real joy ”
Alexander Walker, Beauty: Illustrated Chiefly by an Analysis and Classificatin of Beauty in Woman
“ That in these profiles exists one cause of beauty is proved by the character of the opposite line; for the greater the inflection of the nose, the less beautiful is the face; and if, when seen sidewise, it presents a bad profile, it is useless to look for beauty in any other view. ”
G. P. R. James,
One in a Thousand; or, The Days of Henri Quatre
“ That face was not one to be seen without exciting in those who beheld it, more and more agreeable sensations than are usually called up by the blank countenances of the great mass of mankind--too often unlettered books, where mind and feeling have scarcely written a trace. ”
Cicely Kent, Telling Fortunes By Tea Leaves…
“ Faces.—Several of these denote an invitation to a party or wedding; ugly faces mean disturbances or bad news; pretty faces, pleasure and love; two faces upon one head, looking diverse ways, indicate that you may hear yourself accused of deception and falseness, or that these things may be practised upon you; a bearded face, health and strength, but an indolent nature, which is a source of vexation to those around you. ”
William Clark Russell,
List, Ye Landsmen! A Romance of Incident
“ There was a type of face in my young day which I rarely behold now, and I dare say the type which I am every day seeing will be as extinct fifty years hence as is the type that I recollect when I was a young man. ”
William Hazlitt, Table Talk: Essays on Men and Manners
“ A certain look has been remarked strongly indicative of a certain passion or trait of character, and we attach the same meaning to it or are affected in the same pleasurable or painful manner by it, where it exists in a less degree, though we can define neither the look itself nor the modification of it. Having got the general clue, the exact result may be left to the imagination to vary, to extenuate or aggravate it according to circumstances. ”
