Summary

Portrait of Helen Keller Helen Keller The Century Magazine, Volume 69… (1905)

I find in a beautiful statue, beside perfection of bodily form, the qualities of balance and completeness. The Minerva, hung with a web of poetical allusion, gives me a sense of exhilaration that is almost physical; and I like the luxuriant, wavy hair of Bacchus and Apollo, and the wreath of ivy, so suggestive of pagan holidays.
So imagination crowns the experience of my hands. And they learned their cunning from the wise hand of another, which, itself guided by imagination, led me safely in paths that I knew not, made darkness light before me, and made crooked ways straight.
Source: Wikisource

Portrait of Helen Keller Helen Keller The Century Magazine, Volume 69… (1905)

The delicate tremble of a butterfly’s wings in my hand, the soft petals of violets curling in the cool folds of their leaves or lifting sweetly out of the meadow-grass, the clear, firm outline of face and limb, the smooth arch of a horse’s neck and the velvety touch of his nose—all these, and a thousand resultant combinations, which take shape in my mind, constitute my world.
Ideas make the world we live in, and impressions furnish ideas. My world is built of touch-sensations, devoid of color and sound; but without color and sound it breathes and throbs with life.
Source: Wikisource

Portrait of Helen Keller Helen Keller The Century Magazine, Volume 69… (1905)

A tangible object passes complete into my brain with the warmth of life upon it, and occupies the same place that it does in space; for, without egotism, the mind is as large as the universe. When I think of hills, I think of the upward strength I tread upon. When water is the object of my thought, I feel the cool shock of the plunge and the quick yielding of the waves that crisp and curl and ripple about my body. The pleasing changes of rough and smooth, pliant and rigid, curved and straight in the bark and branches of a tree give the truth to my hand.
Source: Wikisource

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