Ralph Waldo Emerson

Ralph Waldo Emerson

Summary

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson The Conduct of Life — Beauty (1860)

A beautiful person, among the Greeks, was thought to betray by this sign some secret favor of the immortal gods: and we can pardon pride, when a woman possesses such a figure, that wherever she stands, or moves, or leaves a shadow on the wall, or sits for a portrait to the artist, she confers a favor on the world. And yet — it is not beauty that inspires the deepest passion. Beauty without grace is the hook without the bait. Beauty, without expression, tires.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson The Conduct of Life — Beauty (1860)

How many copies are there of the Belvedere Apollo, the Venus, the Psyche, the Warwick Vase, the Parthenon, and the Temple of Vesta? These are objects of tenderness to all. In our cities, an ugly building is soon removed, and is never repeated, but any beautiful building is copied and improved upon, so that all masons and carpenters work to repeat and preserve the agreeable forms, whilst the ugly ones die out.
The felicities of design in art, or in works of Nature, are shadows or forerunners of that beauty which reaches its perfection in the human form. All men are its lovers.
Source: Wikisource

Portrait of Ralph Waldo Emerson Ralph Waldo Emerson The Conduct of Life — Beauty (1860)

The pleasure a palace or a temple gives the eye, is, that an order and method has been communicated to stones, so that they speak and geometrize, become tender or sublime with expression. Beauty is the moment of transition, as if the form were just ready to flow into other forms. Any fixedness, heaping, or concentration on one feature, — a long nose, a sharp chin, a hump-back, — is the reverse of the flowing, and therefore deformed. Beautiful as is the symmetry of any form, if the form can move, we seek a more excellent symmetry.
Source: Wikisource

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