Summary

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 24

But if I were to say how I find myself affected upon such occasions, I should say, that the sublime suffers less by being united to some of the qualities of beauty, than beauty does by being joined to greatness of quantity, or any other properties of the sublime. There is something so over-ruling in whatever inspires us with awe, in all things which belongs ever so remotely to terror, that nothing else can stand in their presence.
Source: Wikisource

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 24

Admiration is the passion which Homer would excite in favour of the Greeks, and he has done it by bestowing on them the virtues which have little to do with love. This short digression is perhaps not wholly beside our purpose, where our business is to show, that objects of great dimensions are incompatible with beauty, the more incompatible as they are greater; whereas the small, if ever they fail of beauty, this failure is not to be attributed to their size.
Source: Wikisource

Portrait of Edmund Burke Edmund Burke On the Sublime and Beautiful — Chapter 24

THE FOREGOING description of beauty, so far as it is taken in by the eye, may be greatly illustrated by describing the nature of objects, which produce a similar effect through the touch. This I call the beautiful in Feeling. It corresponds wonderfully with what causes the same species of pleasure to the sight. There is a chain in all our sensations; they are all but different sorts of feelings calculated to be affected by various sorts of objects, but all to be affected after the same manner. All bodies that are pleasant to the touch, are so by the slightness of the resistance they make.
Source: Wikisource

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