Friedrich Nietzsche

Friedrich Nietzsche

Summary

Portrait of Friedrich Nietzsche Friedrich Nietzsche The Birth of Tragedy

Is there perhaps a way of suffering from the very fullness of life, a tempting courage of the keenest sight which demands what is terrible, like an enemy—a worthy enemy—against which it can test its power, from which it will learn what "to fear" means?
What does the tragic myth mean precisely for the Greeks of the best, strongest, and bravest age? What about that tremendous phenomenon of the Dionysian? And what about what was born out of the Dionysian—the tragedy?
Source: Wikisource

Portrait of Friedrich Nietzsche Friedrich Nietzsche The Birth of Tragedy

By contrast, what are we to make of what killed tragedy—Socratic morality, dialectic, the satisfaction and serenity of the theoretical man? Could not this very Socratic way be a sign of collapse, exhaustion, sickness, and the dissolution of the anarchic instinct? And could the "Greek serenity" of later Greek periods be only a red sunset? Could the Epicurean will hostile to pessimism be merely the prudence of a suffering man? And even scientific enquiry itself, our science—indeed, what does all scientific enquiry in general mean considered as a symptom of life?
Source: Wikisource

Portrait of Friedrich Nietzsche Friedrich Nietzsche The Birth of Tragedy

The hatred of the "world," the curse against the emotions, the fear of beauty and sensuality, a world beyond created so that the world on this side might be more easily slandered, at bottom a longing for nothingness, for extinction, for rest, until the "Sabbath of all Sabbaths"—all that, as well as the absolute desire of Christianity to value only moral worth, has always seemed to me the most dangerous and most eerie form of all possible manifestations of a "Will to Destruction," at least a sign of the deepest illness, weariness, bad temper, exhaustion, and impoverishment in living.
Source: Wikisource

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