“ The thoughts which rise in the gifted mind—the flash of wit and the play of fancy—are as independent of the will as is the weed at the bottom of the sea, or the moss on the summit of the hill independent of the farmer. In glancing over the catalogue of our mental aristocracy, we are struck with the versatility of genius. It is no hard unbending thing, confined to a few topics, and hemmed in by a few principles; but a free mountain flame, not unfrequently as broad in its range as burning in its radiance. Many of both sexes are equally happy in science, art, philosophy, and literature. ”
William Anderson
Summary
William Anderson’s Model Women, a 19th-century essayistic work, explores the intellectual, moral, and social roles of women through the lens of Christianity, education, and human nature. Focusing on themes such as the relationship between genius and virtue, the upliftment of womanhood through faith, and the transformative power of compassion, Anderson analyzes historical and literary figures like Lady Huntingdon and Madame de Staël to argue for women’s essential contributions to society.
By contrasting the struggles of the "softer sex" with the redemptive force of the gospel, the text portrays women as pillars of moral and spiritual influence, challenging societal neglect of their intellectual and physical well-being. Anderson’s synthesis underscores that true greatness lies not in talent alone, but in the harmonious union of character and belief.
Quotes from Model Women (William Anderson)
“ The great events of life, which stir the deepest feelings of the human heart—birth, marriage, death—occur in every household, lighting up with a common joy, or involving in the shadow of a common gloom, the palace and the cottage alike. “One touch of nature makes the whole world kin.” How near does our beloved queen seem to be to the poorest widow in the land, now that, amid all the pomp of her royalty and the splendour of her unrivalled station, she is suffering from the painful sense of her great bereavement. ”
“ If it be objected that Lady Macbeth is only a fiction—the sternly magnificent creation of the poet; we reply, that in the whole compass of Shakespeare’s works, there is not one character untrue to nature. True it is, no women in these civilized times murder sleeping kings: but are there, therefore, no Lady Macbeths in the world? No women who mock at air-drawn daggers; in sarcastic mood let fall the word coward; and disdain the visionary terrors that haunt their vacillating husbands? There are, and many of them too—unlike Lady Macbeth—full of virtue and integrity. ”
