Summary

Portrait of Olive Schreiner Olive Schreiner The Story of an African Farm

In his bitterness Waldo laughed low:
Ah, he had long ceased to hearken to the hellish voice.
But yet another speaks.
“You shall see her again,” said the nineteenth-century Christian, deep into whose soul modern unbelief and thought have crept, though he knows it not. He it is who uses his Bible as the pearl-fishers use their shells, sorting out gems from refuse; he sets his pearls after his own fashion, and he sets them well. “Do not fear,” he says; “hell and judgment are not. God is love. I know that beyond this blue sky above us is a love as wide-spreading over all.
Source: Gutenberg

Portrait of Olive Schreiner Olive Schreiner The Story of an African Farm

The lean Hottentot laughed till the room rang again; and Tant Sannie tittered till her sides ached.
When he had gone the little maid began to wash Bonaparte’s feet.
“Oh, Lord, beloved Lord, how he did fall! I can’t think of it,” cried Tant Sannie, and she laughed again. “I always did know he was not right; but this evening any one could see it,” she added, wiping the tears of mirth from her face. “His eyes are as wild as if the devil was in them. He never was like other children. The dear Lord knows, if he doesn’t walk alone for hours talking to himself.
Source: Gutenberg

Portrait of Olive Schreiner Olive Schreiner The Story of an African Farm

They will creep back, one by one, into the bosom that has cast them forth, and fasten there again, and peace will go. Desire, ambition, and the fierce agonizing flood of love for the living they will spring again. Then Nature will draw down her veil; with all your longing you shall not be able to raise one corner; you cannot bring back those peaceful days. Well to die then!
Sitting there with his arms folded on his knees, and his hat slouched down over his face, Waldo looked out into the yellow sunshine that tinted even the very air with the colour of ripe corn, and was happy.
Source: Gutenberg

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