Immanuel Kant

“ In Byron the Ego is revealed in all its pride of power, freedom, and desire, in the uncontrolled plenitude of all its faculties; inhaling existence at every pore, eager to seize "the life of life." The world around him neither rules nor tempers him. The Byronian Ego aspires to rule it; but solely for dominion's sake, to exercise upon it the Titanic force of his will. Accurately speaking, he cannot be said to derive from it either color, tone, or image; for it is he who colors; he who sings; he whose image is everywhere reflected and reproduced. His poetry emanates from his own soul ”

“ In a product of beautiful art we must become conscious that it is Art and not Nature; but yet the purposiveness in its form must seem to be as free from all constraint of arbitrary rules as if it were a product of mere nature. On this feeling of freedom in the play of our cognitive faculties, which must at the same time be purposive, rests that pleasure which alone is universally communicable, without being based on concepts. Nature is beautiful because it looks like Art; and Art can only be called beautiful if we are conscious of it as Art while yet it looks like Nature. ”

“ The mind (that is, the will and understanding) impels the body and all its belongings at will. Does not the body do whatever the mind thinks and determines? Does not the mind incite the ear to hear, and direct the eye to see, move the tongue and the lips to speak, impel the hands and fingers to do whatever it pleases, and the feet to walk whither it will? Is the body, then, anything but obedience to its mind: and can the body be this unless the mind is in its derivatives in the body? Is it consistent with reason to think that the body acts from obedience simply because the mind so determines? ”

“ The age of the Revolution called and inspired him to his task. With keen vision he saw a new world suddenly born before him, as the blood-stained product of a motion long toiling in the gloom, and all old things thus passing away; and he knew that it was only the pure and the practical Reason, in that inmost union which constitutes the birthright of Freedom, that could regulate and harmonize the future order of this strongest offspring of time. ”

“ When he has attained manhood, let him come back, presenting a face strange to his own age; let him come, not to delight it with his apparition, but rather to purify it, terrible as the son of Agamemnon. He will, indeed, receive his matter from the present time, but he will borrow the form from a nobler time and even beyond all time, from the essential, absolute, immutable unity. There, issuing from the pure ether of its heavenly nature, flows the source of all beauty, which was never tainted by the corruption of generations or of ages, which roll along far beneath it in dark eddies. ”

“ This leads us to inquire why it is that, in metaphysics, the sure path of science has not hitherto been found. Shall we suppose that it is impossible to discover it? Why then should nature have visited our reason with restless aspirations after it, as if it were one of our weightiest concerns? Nay, more, how little cause should we have to place confidence in our reason, if it abandons us in a matter about which, most of all, we desire to know the truth—and not only so, but even allures us to the pursuit of vain phantoms, only to betray us in the end? ”

“ There will therefore always be metaphysics in the world; nay, every one, especially every man of reflection, will have it, and for want of a recognized standard, will shape it for himself after his own pattern. What has hitherto been called metaphysics, cannot satisfy any critical mind, but to forego it entirely is impossible; therefore a critique of pure reason itself must now be attempted or, if one exists, investigated, and brought to the full test, because there is no other means of supplying this pressing want, which is something more than mere thirst for knowledge. ”

“ We come now to metaphysics, a purely speculative science, which occupies a completely isolated position and is entirely independent of the teachings of experience. It deals with mere conceptions—not, like mathematics, with conceptions applied to intuition—and in it, reason is the pupil of itself alone. It is the oldest of the sciences, and would still survive, even if all the rest were swallowed up in the abyss of an all-destroying barbarism. ”

“ To call the ocean sublime we must regard it as poets do, merely by what strikes the eye; if it is at rest, as a clear mirror of water only bounded by the heaven; if it is restless, as an abyss threatening to overwhelm everything. The like is to be said of the Sublime and Beautiful in the human figure. We must not regard as the determining grounds of our judgement the concepts of the purposes which all our limbs serve, and we must not allow this coincidence to influence our aesthetical judgement (for then it would no longer be pure) ”

“ He seems at times a transformation of that immortal Prometheus, of whom he has written so nobly; whose cry of agony, yet of futurity, sounded above the cradle of the European world; and whose grand and mysterious form, transfigured by time, reappears from age to age, between the entombment of one epoch and the accession of another; to wail forth the lament of genius, tortured by the presentment of things it will not see realized in its time. Byron, too, had the "firm will" and the "deep sense;" he, too, made of his "death a victory." ”

“ We cannot bear, nor can we rid ourselves of the thought that a being, which we regard as the greatest of all possible existences, should say to himself: I am from eternity to eternity; beside me there is nothing, except that which exists by my will; whence then am I? Here all sinks away from under us; and the greatest, as the smallest, perfection, hovers without stay or footing in presence of the speculative reason, which finds it as easy to part with the one as with the other.
Many physical powers, which evidence their existence by their effects, are perfectly inscrutable in their nature ”

“ Their taste is purer than their heart, and it is by their taste you must lay hold of this suspicious fugitive. In vain will you combat their maxims, in vain will you condemn their actions; but you can try your moulding hand on their leisure. Drive away caprice, frivolity, and coarseness, from their pleasures, and you will banish them imperceptibly from their acts, and at length from their feelings. Everywhere that you meet them, surround them with great, noble, and ingenious forms; multiply around them the symbols of perfection, till appearance triumphs over reality, and art over nature. ”

“ By the term architectonic I mean the art of constructing a system. Without systematic unity, our knowledge cannot become science; it will be an aggregate, and not a system. Thus architectonic is the doctrine of the scientific in cognition, and therefore necessarily forms part of our methodology.
Reason cannot permit our knowledge to remain in an unconnected and rhapsodistic state, but requires that the sum of our cognitions should constitute a system. It is thus alone that they can advance the ends of reason. By a system I mean the unity of various cognitions under one idea. ”

“ If the nobility of art has survived the nobility of nature, it also goes before it like an inspiring genius, forming and awakening minds. Before truth causes her triumphant light to penetrate into the depth of the heart, poetry intercepts her rays, and the summits of humanity shine in a bright light, while a dark and humid night still hangs over the valleys.
But how will the artist avoid the corruption of his time which encloses him on all hands? Let him raise his eyes to his own dignity, and to law; let him not lower them to necessity and fortune. ”

“ There is no possibility of evading the conclusion—you find yourselves compelled to declare: There are certain subjects which cannot be annihilated in thought. But this is nothing more than saying: There exist subjects which are absolutely necessary—the very hypothesis which you are called upon to establish. For I find myself unable to form the slightest conception of a thing which when annihilated in thought with all its predicates, leaves behind a contradiction; and contradiction is the only criterion of impossibility in the sphere of pure a priori conceptions. ”

“ Brandan and his companions celebrate mass here with the birds, and remain with them for fifty days, nourishing themselves with nothing but the singing of their hosts. Elsewhere there is the Isle of Delight, the ideal of monastic life in the midst of the seas. Here no material necessity makes itself felt; the lamps light of themselves for the offices of religion, and never burn out, for they shine with a spiritual light. An absolute stillness reigns in the island; every one knows precisely the hour of his death; one feels neither cold, nor heat, nor sadness, nor sickness of body or soul. ”

“ For how can any experience be adequate with an idea? The very essence of an idea consists in the fact that no experience can ever be discovered congruent or adequate with it. The transcendental idea of a necessary and all-sufficient being is so immeasurably great, so high above all that is empirical, which is always conditioned, that we hope in vain to find materials in the sphere of experience sufficiently ample for our conception, and in vain seek the unconditioned among things that are conditioned, while examples, nay, even guidance is denied us by the laws of empirical synthesis. ”

“ Maybe an age is coming when there will be no more writing. Happy those who read and read again, those who in their reading can follow their unrestrained inclination! There comes a time in life when, all our journeys over, our experiences ended, there is no enjoyment more delightful than to study and thoroughly examine the things we know, to take pleasure in what we feel, and in seeing and seeing again the people we love: the pure joys of our maturity. Then it is that the word classic takes its true meaning, and is defined for every man of taste by an irresistible choice. ”

“ A plant, and animal, the regular order of nature—probably also the disposition of the whole universe—give manifest evidence that they are possible only by means of and according to ideas; that, indeed, no one creature, under the individual conditions of its existence, perfectly harmonizes with the idea of the most perfect of its kind—just as little as man with the idea of humanity, which nevertheless he bears in his soul as the archetypal standard of his actions; ”

“ Delivered from the heavy fetters of desire, the eye, now calmer, attends to the form, the soul contemplates the soul, and the interested exchange of pleasure becomes a generous exchange of mutual inclination. Desire enlarges and rises to love, in proportion as it sees humanity dawn in its object; and, despising the vile triumphs gained by the senses, man tries to win a nobler victory over the will. The necessity of pleasing subjects the powerful nature to the gentle laws of taste; pleasure may be stolen, but love must be a gift. ”

“ In other words, our empirical knowledge is limited by that which yet remains for us to know. The former cognition of our ignorance, which is possible only on a rational basis, is a science; the latter is merely a perception, and we cannot say how far the inferences drawn from it may extend. If I regard the earth, as it really appears to my senses, as a flat surface, I am ignorant how far this surface extends. But experience teaches me that, how far soever I go, I always see before me a space in which I can proceed farther ”

“ It is not by deposing Goethe or Byron that we shall destroy either sceptical or anarchical indifference amongst us. It is by becoming believers and organizers ourselves. If we are such, we need fear nothing. As is the public, so will be the poet. If we revere enthusiasm, the fatherland, and humanity; if our hearts are pure, and our souls steadfast and patient, the genius inspired to interpret our aspirations, and bear to heaven our ideas and our sufferings, will not be wanting. ”

“ What I have termed an ideal was in Plato’s philosophy an idea of the divine mind—an individual object present to its pure intuition, the most perfect of every kind of possible beings, and the archetype of all phenomenal existences.
Without rising to these speculative heights, we are bound to confess that human reason contains not only ideas, but ideals, which possess, not, like those of Plato, creative, but certainly practical power—as regulative principles, and form the basis of the perfectibility of certain actions. ”

“ They have no kindred: they live from their own life only they repulse humanity, and regard the crowd with disdain. Each of them says: "I have faith in myself"; never, "I have faith in ourselves." They all aspire to power or to happiness. The one and the other alike escape them; for they bear within them, untold, unacknowledged even to themselves, the presentiment of a life that mere liberty can never give them. Free they are; iron souls in iron frames, they climb the Alps of the physical world as well as the Alps of thought ”

“ For here a new phenomenon of human reason meets us—a perfectly natural antithetic, which does not require to be sought for by subtle sophistry, but into which reason of itself unavoidably falls. It is thereby preserved, to be sure, from the slumber of a fancied conviction—which a merely one-sided illusion produces; but it is at the same time compelled, either, on the one hand, to abandon itself to a despairing scepticism, or, on the other, to assume a dogmatical confidence and obstinate persistence in certain assertions, without granting a fair hearing to the other side of the question. ”

“ Does such a state of beauty in appearance exist, and where? It must be in every finely harmonised soul; but as a fact, only in select circles, like the pure ideal of the church and state—in circles where manners are not formed by the empty imitations of the foreign, but by the very beauty of nature; where man passes through all sorts of complications in all simplicity and innocence, neither forced to trench on another's freedom to preserve his own, nor to show grace at the cost of dignity. ”

“ It is in this secluded life, in this defiance of all that comes from without, that we must search for the explanation of the chief features of the Celtic character. It has all the failings, and all the good qualities, of the solitary man; at once proud and timid, strong in feeling and feeble in action, at home free and unreserved, to the outside world awkward and embarrassed. It distrusts the foreigner, because it sees in him a being more refined than itself, who abuses its simplicity. Indifferent to the admiration of others, it asks only one thing, that it should be left to itself. ”

“ When the lion is not tormented by hunger, and when no wild beast challenges him to fight, his unemployed energy creates an object for himself; full of ardour, he fills the re-echoing desert with his terrible roars, and his exuberant force rejoices in itself, showing itself without an object. The insect flits about rejoicing in life in the sunlight, and it is certainly not the cry of want that makes itself heard in the melodious song of the bird; there is undeniably freedom in these movements, though it is not emancipation from want in general, but from a determinate external necessity. ”

“ In the midst of the formidable realm of forces, and of the sacred empire of laws, the aesthetic impulse of form creates by degrees a third and a joyous realm, that of play and of the appearance, where she emancipates man from fetters, in all his relations, and from all that is named constraint, whether physical or moral.
If in the dynamic state of rights men mutually move and come into collision as forces, in the moral (ethical) state of duties, man opposes to man the majesty of the laws, and chains down his will. ”

“ Thus compressed between two forces, within and without, could humanity follow any other course than that which it has taken? The speculative mind, pursuing imprescriptible goods and rights in the sphere of ideas, must needs have become a stranger to the world of sense, and lose sight of matter for the sake of form. On its part, the world of public affairs, shut up in a monotonous circle of objects, and even there restricted by formulas, was led to lose sight of the life and liberty of the whole, while becoming impoverished at the same time in its own sphere. ”

“ Objective humanity may have had cause to complain of the state; yet subjective man must honour its institutions. Ought he to be blamed because he lost sight of the dignity of human nature, so long as he was concerned in preserving his existence? Can we blame him that he proceeded to separate by the force of gravity, to fasten by the force of cohesion, at a time when there could be no thought of building or raising up? The extinction of the state contains its justification. Society set free, instead of hastening upward into organic life, collapses into its elements. ”

“ It is thus that nature offers in her material sphere a sort of prelude to the limitless, and that even there she suppresses partially the chains from which she will be completely emancipated in the realm of form. The constraint of superabundance or physical play, answers as a transition from the constraint of necessity, or of physical seriousness, to aesthetical play; and before shaking off, in the supreme freedom of the beautiful, the yoke of any special aim, nature already approaches, at least remotely, this independence, by the free movement which is itself its own end and means. ”

“ Man, in his PHYSICAL condition, suffers only the power of nature; he gets rid of this power in the aesthetical condition, and he rules them in the moral state.
What is man before beauty liberates him from free pleasure, and the serenity of form tames down the savageness of life? Eternally uniform in his aims, eternally changing in his judgments, self- seeking without being himself, unfettered without being free, a slave without serving any rule. At this period, the world is to him only destiny, not yet an object; all has existence for him only in as far as it procures existence to him ”

“ And in what relation should we be placed with past and future ages if the perfecting of human nature made sach a sacrifice indispensable? In that case we should have been the slaves of humanity, we should have consumed our forces in servile work for it during some thousands of years, and we should have stamped on our humiliated, mutilated nature the shameful brand of this slavery—all this in order that future generations, in a happy leisure, might consecrate themselves to the cure of their moral health, and develop the whole of human nature by their free culture. ”

“ The stone, in truth, seems the natural symbol of the Celtic races. It is an immutable witness that has no death. The animal, the plant, above all the human figure, only express the divine life under a determinate form; the stone on the contrary, adapted to receive all forms, has been the fetish of peoples in their childhood. Pausanias saw, still standing erect, the thirty square stones of Pharse, each bearing the name of a divinity. The men-hir to be met with over the whole surface of the ancient world, what is it but the monument of primitive humanity, a living witness of its faith in Heaven? ”

“ Does it not contradict the conception of the reason and the dignity of beauty, which is nevertheless regarded as an instrument of culture, to confine it to the work of being a mere play? and does it not contradict the empirical conception of play, which can coexist with the exclusion of all taste, to confine it merely to beauty?
But what is meant by a MERE PLAY, when we know that in all conditions of humanity that very thing is play, and only that is play which makes man complete and develops simultaneously his twofold nature? ”

“ No doubt, poetry had already taken a sublime flight, but it was on the wings of genius, and we know that genius borders very closely on savage coarseness, that it is a light which shines readily in the midst of darkness, and which therefore often argues against rather than in favour of the taste of the time. When the golden age of art appears under Pericles and Alexander, and the sway of taste becomes more general, strength and liberty have abandoned Greece; eloquence corrupts the truth, wisdom offends it on the lips of Socrates, and virtue in the life of Phocion. ”

“ We can immediately understand why the ideal form of a Venus, of a Juno, and of an Apollo, is to be sought not at Rome, but in Greece, if we contrast the Greek population, delighting in the bloodless athletic contests of boxing, racing, and intellectual rivalry at Olympia, with the Roman people gloating over the agony of a gladiator. Now the reason pronounces that the beautiful must not only be life and form, but a living form, that is, beauty, inasmuch as it dictates to man the twofold law of absolute formality and absolute reality. ”

“ As soon as he upholds his independence toward phaenomenal nature, he maintains his dignity toward her as a thing of power and with a noble freedom he rises against his gods. They throw aside the mask with which they had kept him in awe during his infancy, and to his surprise his mind perceives the reflection of his own image. The divine monster of the Oriental, which roams about changing the world with the blind force of a beast of prey, dwindles to the charming outline of humanity in Greek fable; the empire of the Titans is crushed, and boundless force is tamed by infinite form. ”

“ The necessity of sense which he obeyed during the period of mere sensations, lessens during the period of reflection; the senses are for the time in abeyance; even ever-fleeting time stands still whilst the scattered rays of consciousness are gathering and shape themselves; an image of the infinite is reflected upon the perishable ground. As soon as light dawns in man, there is no longer night outside of him; as soon as there is peace within him the storm lulls throughout the universe, and the contending forces of nature find rest within prescribed limits. ”

“ It would be idle to speak of social art at all, or of the comprehension of humanity, if we could not raise altars to the new gods, without overthrowing the old. Those only should dare to utter the sacred name of progress, whose souls possess intelligence enough to comprehend the past, and whose hearts possess sufficient poetic religion to reverence its greatness. The temple of the true believer is not the chapel of a sect; it is a vast Pantheon, in which the glorious images of Goethe and Byron will hold their honored place, long after Goetheism and Byronism shall have ceased to be. ”

“ The arms themselves ought to be no longer only objects of terror, but also of pleasure; and the skilfully worked scabbard will not attract less attention than the homicidal edge of the sword. The instinct of play, not satisfied with bringing into the sphere of the necessary an aesthetic superabundance for the future more free, is at last completely emancipated from the bonds of duty, and the beautiful becomes of itself an object of man's exertions. He adorns himself. The free pleasure comes to take a place among his wants, and the useless soon becomes the best part of his joys. ”

“ Yet, when I will, God me deliver shall,
He thinkes, I shall die: death is end of all.
Our religion hath had no surer humane foundation than the contempt of life. Discourse of reason doth not only call and summon us unto it. For why should we feare to lose a thing, which being lost, cannot be moaned? but also, since we are threatened by so many kinds of death, there is no more inconvenience to feare them all, than to endure one: what matter is it when it commeth, since it is unavoidable? Socrates answered one that told him, "The thirty tyrants have condemned thee to death." ”

“ The beauty of which we are in search we have left behind by passing from the life of mere sensations to the pure form and to the pure object. Such a leap exceeds the condition of human nature; in order to keep pace with the latter we must return to the world of sense. Beauty is indeed the sphere of unfettered contemplation and reflection; beauty conducts us into the world of ideas, without however taking us from the world of sense, as occurs when a truth is perceived and acknowledged. ”

“ This fantastical nature created expressly for another humanity, this strange topography at once glowing with fiction and speaking of truth, make the poem of St. Brandan one of the most extraordinary creations of the human mind, and perhaps the completest expression of the Celtic ideal. All is lovely, pure, and innocent; never has a gaze so benevolent and so gentle been cast upon the earth; there is not a single cruel idea, not a trace of frailty or repentance. ”