Laura Marholm

Biographical details

Portrait of Laura Marholm Laura Marholm,  Six modern women: Psychological sketches (1896)

“ But can a woman ever obtain satisfaction by means of her achievements? Is not her life as a woman—as a wife and as a mother—the true source of all her happiness? And this touch of disillusion in all of them—is it the disillusion they have experienced as woman; is it the expression of their bitter experiences in the gravest moment in a woman’s life? Disappointment in man? The man that fate thrust across their path, who was their experience? And their yearning is now fruitless, for the flower of expectant realization withered before they plucked it. ”
Source: Gutenberg

Portrait of Laura Marholm Laura Marholm,  We Women and Our Authors (1899)

“ Just as Millet’s peasant woman strides across the melancholy field, weak yet unhesitating, individualistic, yet ever the same woman who yesterday was, to-day is, and to-morrow will be, so L’Ensorcelée, the large-proportioned, plain-thinking daughter of an ancient and aristocratic house, wanders home from church across the fields in spring, with the glow of an eternal flame in her honest face—the glow of a passion conceived in church when in the pulpit she descried the man whom she is proud to own as her master at the first glance. ”
Source: Gutenberg

Portrait of Laura Marholm Laura Marholm,  Six modern women: Psychological sketches (1896)

“ Love is full of sympathy, and that is why Eleonora Duse acts love. Not greedy love, which asks more than it gives, like Walter’s and Bernhardt’s; not sensual love, nor yet imperious love, like the big woman who takes pity on the little man, whom it pleases her to make happy. When Duse is in love, even in “Fédora,” it is always she who is the little woman, and the man is for her the big man, the giver, who holds her happiness in his hands, to whose side she steals anxiously, almost timidly, and looks up at him with her serious, wearied, almost child-like smile. ”
Source: Gutenberg

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