Joseph Conrad

Joseph Conrad

Summary

Portrait of Joseph Conrad Joseph Conrad A Personal Record — Preface (1912)

If they are mad, then so much the worse for the artist. Indeed, as virtue is said to be, such ambitions are their own reward. Is it such a very mad presumption to believe in the sovereign power of one's art, to try for other means, for other ways of affirming this belief in the deeper appeal of one's work? To try to go deeper is not to be insensible. A historian of hearts is not a historian of emotions, yet he penetrates further, restrained as he may be, since his aim is to reach the very fount of laughter and tears. The sight of human affairs deserves admiration and pity.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad A Personal Record — Preface (1912)

There can be nothing more humiliating than to see the shaft of one's emotion miss the mark of either laughter or tears. Nothing more humiliating! And this for the reason that should the mark be missed, should the open display of emotion fail to move, then it must perish unavoidably in disgust or contempt. No artist can be reproached for shrinking from a risk which only fools run to meet and only genius dare confront with impunity.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad A Personal Record — Preface (1912)

But the danger lies in the writer becoming the victim of his own exaggeration, losing the exact notion of sincerity, and in the end coming to despise truth itself as something too cold, too blunt for his purpose--as, in fact, not good enough for his insistent emotion. From laughter and tears the descent is easy to snivelling and giggles.
These may seem selfish considerations; but you can't, in sound morals, condemn a man for taking care of his own integrity. It is his clear duty. And least of all can you condemn an artist pursuing, however humbly and imperfectly, a creative aim.
Source: Wikisource

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